मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
"... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Sunday, July 29, 2012
How the Art of S D Phadnis works like 'Mad Men' for me
“Well, maybe we’ll fly in balloons, the cut of jackets will be different, we’ll have discovered a sixth sense, maybe even developed it - I don’t know. But life will be the same - difficult, full of unknowns, and happy. In a thousand years, just like today, people will sigh and say, oh, how hard it is to be alive. They’ll still be scared of death, and won’t want to die.”
Adam Gopnik, on 'Mad Men' in The New Yorker:
"Though pop culture is most often performed by the young, the directors and programmers and gatekeepers—the suits who control and create its conditions, who make the calls and choose the players—are, and always have been, largely forty-somethings, and the four-decade interval brings us to a period just before the forty-something was born. Forty years past is the potently fascinating time just as we arrived, when our parents were youthful and in love, the Edenic period preceding the fallen state recorded in our actual memories."
For me 2012 on TV so far has belonged to 'Mad Men', Euro 2012 and London Olympics.
I saw 'Mad Men' for the first time in May 2012. Season 4 & 5. And as I watched it, I knew instinctively that it was based in 1960's. It was like browsing Life magazine numbers my father had.
Today as I continue to watch the saga, I feel I have seen that lost world in real life too, I seem to remember it...Or so I feel!
That feeling is accentuated because my father used to hold coaching classes for the students of B.A. for a couple of years in the late 1960's. He taught them English. There were more girls than boys in his class and many of those 16-20 year-old girls were pretty. All of them wore sarees. I was no more than 9 year old. To draw their attention, I sometimes hid their sandals!
'the cut of jackets are different!'
'Mad Men' is entertaining and disturbing.
I don't think it's about nostalgia.
'Mad Men' is what we are. That is what we have always been. In 2050's, we too will come across the same way as "Mad Men" do today. Not sure about the sixth sense of Chekhov but the cut of jackets will be different.
It has echoes of Joseph Hellers's “Something Happened”...And 'Something Happened' is one of the funniest and one of the darkest books I have read...if that is what life is, what am I doing?
Janet Maslin writes in The New York Times, July 27 2011:
"...“Something Happened,” by far his most unflinching novel and perhaps his most influential too. (Most present-day depictions of the dread-filled workplace and dead-end family life, from “The Office” to “Mad Men,” have echoes of it somewhere.)..."
However, I think it's almost impossible to recreate 'Something Happened' either on TV or movie screen. We have to make do with 'The Office' and 'Mad Men'
Artist: Paul Rogers, Mad Men Opening Credits Unofficially Re-Designed
Alas there is no equivalent of 'Mad Men' on Indian TV. There won't likely be any.
When Rajesh Khanna died on July 18 2012 and the late 1960's and early 1970's came pouring out on TV, I thought only 'Mad Men' kind of series could bring back the life when Mr. Khanna was the monarch of Hindi film industry...girls wearing pointy bras kissed his car, married his photographs, wrote love letters in their blood (we then had fountain pens!)...Mad Women?
But we have our ways to revisit the time "when our parents were youthful and in love"...And I am not talking about watching a Shammi Kapoor film from 1960's...
On this blog, on July 29 2010, I wrote why I like S D Phadnis's pictures, the ones he draws today:
"...where even today a lady looks like my mother of 1970's, where there is no evil, where life is uncomplicated, where people pay attention to their surroundings instead of burying their face in a mobile phone..."
Smart Lady and Her Dog
from year 1951 or is it Diwali 2012, Phadnis's Season 62 in print?
courtesy: Official website of S D Phadnis