G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Wednesday, February 11, 2009
Read more about the event here.
It’s beautifully produced and attractively priced- just Rs. 125.
Suhas Palshikar in his brilliant Marathi essay for “Samaj Prabodhan Patrika April-June 2008” asked:
“गरिबांना भुक्कड सुविधा पुरवणं आपल्या लोकशाहीला कसं परवडतं?
(How can Our Democracy Afford to Provide Third-rate Services to the Poor?)
Well, Sarwate has raised and answered such questions related to Indian democracy from 1947-2009.
Most of the pictures are eternal. They just prove once again why Sarwate is arguably the greatest creative artist Marathi language produced in 20th century. (btw-His nearest competition: Laxmibai Tilak, Shripad Krishna Kolhatkar, C V Joshi, Arun Kolatkar, Acharya Atre, Master Vinayak, Kumar Gandharva (लक्ष्मीबाई टिळक, श्रीपाद कृष्ण कोल्हटकर, चि वि जोशी, अरुण कोलटकर, आचार्य अत्रे, मास्टर विनायक, कुमार गंधर्व)).
In Marathi intellectual world, there is little appreciation of visual arts, let alone that of subtle art of cartooning.
Even the title of this book is biased towards writers and blurbs on the back cover- both Vinda Karandikar विंदा करंदीकर and S P Bhagwat श्री पु भागवत disappointing with their platitudes- don't do any justice to Sarwate's talent. (I know how tender S P Bhagwat gets appreciating B S Mardhekar's बा सी मर्ढेकर poetry.)
Why don't these guys remember Ajanta or Halebidu or Jagte Raho or The Simpsons watching Sarwate's pictures?
Maybe सदानंद रेगे Sadanand Rege would have with a poem titled: "सरवटे गोंधळ घालतात- नाथांचा आणि लाथांचा!" (Here I remember his poems on Keshavsut's केशवसुत death and D G Godse's द ग गोडसे visit to Mastani's grave.)
A O Scott observes: "...I have long been of the opinion that the entire history of American popular culture — maybe even of Western civilization — amounts to little more than a long prelude to “The Simpsons.”"
Clearly a new paradigm needs to emerge in Marathi criticism to fully appreciate the art of Vasant Sarwate.
In a masterly essay on James Thurber, Paul Johnson writes: "...A score of his published cartoons are masterly, and five in the highest class in history. When I contemplate them, I sometimes feel that after a lifetime of studying and practising art, I know nothing about it..."
Surely, I know nothing about it but I hope Sarwate soon gets his own Paul Johnson.
"...I feel miserable by this arson. Our bright secular tradition has once again been blackened..err..I mean, bright secular tradition has been blackened..."
Artist: Vasant Sarwate वसंत सरवटे, 1970, First Published in Manoos माणूस Weekly