मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Sunday, June 01, 2008

Sakharam Binder सखाराम बाईंडर and the Basic Middle-Class Hunger for Property

Writing Vijay Tendulkar’s विजय तेंडुलकर obit, Girish Karnad says:

“…Then came Sakharam Binder. It's not only Tendulkar's best play, but one of the masterpieces of Indian drama. When first performed, several political parties united to demand a ban on the play, and it had to be rescued by the courts. Its critics claimed to be scandalised by its overt sexuality. But one suspects that Tendulkar had once again hit a raw nerve, the basic middle-class hunger for property as a guarantee of security, and the ruthlessness this hunger could unleash. Lakshmi, a perfect embodiment of Hindu womanly virtues, manoeuvres a murder to keep the roof intact over her head, invulnerable in her sense of moral rectitude…” (Outlook June 2, 2008)

This angle I had never thought.

As real estate prices climb relentlessly in Pune, everyday one hears sordid stories of greed, corruption, moral decay and crumbling family values. Duryodhana’s following words don’t sound all that far-fetched: “The Pandavas will not receive even a needle- point of territory,"

In 1980’s, I lived in a Bombay where girls fell in love only after ascertaining where the suitor’s property was located. Western suburbs upto Andheri were preferred over eastern ones. I had no chance because I had neither! Now I joke about it, then I felt castrated.

Now, the whole of urban India is Bombay.

I mentioned ancient India by quoting from the Mahabharata. Let us turn to an example from American history.

WILLIAM HOGELAND said in NYT December 27, 2006:

“…In 1763, George III drew a line on a map stretching from modern-day Maine to modern-day Georgia, along the crest of the Appalachians. He declared it illegal to claim or settle land west of the line, all of which he reserved for Native Americans.

George Washington, a young colonel in the Virginia militia, instructed his land-buying agents in the many ways of getting around the law. Although Washington was not alone in acquiring forbidden tracts, few were as energetic in the illegal acquisition of western land…

… By the early 1770’s, George Washington had amassed vast tracts to which his titles were flatly invalid. The Revolution rectified that. With British law void, Washington emerged from the war with his titles legal by default…”

Jonathan Yardley said in Washington Post May 18, 2008:

“…Not merely did George Washington want the capital on the Potomac, he also "was determined to place the capital close to the Eastern Branch, today known as the Anacostia River, virtually across the Potomac from his own estate at Mount Vernon." Washington believed that the Potomac was fated to be the essential connection between the Atlantic and the rapidly growing West -- he didn't know, or more likely didn't want to know, that for most of the year much of the Potomac is unnavigable -- and "he stood to make a great deal of money" from a capital on the Potomac, a useful reminder that the motives of the Father of His Country were not always pristinely patriotic…”


Artist: Bruce Erik Kaplan The New Yorker 17 January 1994