G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Friday, February 11, 2011
Quite a few of his stories are allegorical- an extended metaphor wherein a story illustrates an important attribute of the subject.
A character is his short story says:
"अरे, निर्बुद्ध, जड जगाविषयी बदलती रुपके करत राहण्यापेक्षा तुझ्या रुपकांप्रमाणे जर जग बदलत जाऊ लागले तर तुला तरी जास्त काय हवे सांग."
("...hey, instead of creating changing metaphors for stupid, gross world, if the world started changing to suit your metaphors, tell me what more you want.")
['Pinglavel' (पिंगळावेळ) 1977]
"छट, असली हजार माणसांनी आपल्या अर्ध्या सोंडी खुपसलेली, हजार जणांनी ढुंगण पुसलेली मलिन चिंध्यांसारखी वाक्यं मी कधीच वापरत नाही ! मला शब्द हवेत नव्या नाण्यांसारखे कलदार, मला वाक्य हवं ते सुरीच्या नव्या धारेसारख स्वच्छ, जिवंत."
("...ditch it, I never use sentences pierced by half trunks of thousands of humans, like rags which have been used to wipe asses by thousands! I want words jaunty like new coins, I want a sentence like an edge of newly sharpened knife- spotless, alive.")
['Ramalkhuna' (रमलखुणा), 1975]
Just count the number of metaphors in the quote above!
Eric Felten says in WSJ February 7 2011:
"Metaphor is crucial to the way the brain works. Is it also dangerous?
...Metaphor works, most obviously, when we recognize a similarity between two different things. It is a matter of "pattern recognition," which may be more important in the working of the brain than logic. "Early human thought proceeded by metaphor," according to Nobel Prize-winning neurobiologist Gerald Edelman. And this imprecise sort of figurative thinking is "a major source of imagination and creativity in adult life."...
...For Aristotle, a command of metaphor was "the mark of genius, for to make good metaphors implies an eye for resemblances." The psych-lab linguists can pump the primes all they like, but the proper use of figurative language may well remain an art rather than a science."
"Early human thought proceeded by metaphor...a major source of imagination and creativity in adult life..."?
GA would have been glad to know!
Artist: William Steig, The New Yorker, 12 September 1931
(Almost eighty years later, Mr. Steig is as funny as he always was.)
p.s. This is one metaphor- 'old rusty gate'- that one day I'll be eligible for!