G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."

Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Saturday, December 12, 2009

Dilip Chitre's Ardh Satya

Ardh Satya (1983) is a very good movie based on Shree Da Panwalkar's (श्री दा पानवलकर) story from the collection "Surya" (सूर्य).

(When I read the story, I thought the movie was better although the equation is not as uneven as that of the two versions of 'The Godfather', one by Mario Puzo and the other by Francis Ford Coppola.

Panwalkar wrote a book- 'Shooting' (शूटिंग) based on his experience with the making of the movie. I didn't much like this book. I expected the book to be more intense but I guess it reflects the essential chaos of making a Hindi film rather than what the final product conveys to us inside a theatre.

On the other hand, I have read elsewhere how Om Puri broke down and sobbed uncontrollably shooting a scene with Smita Patil. Ms. Patil pressed his hand to console him etc...)

Chitre has left an indelible stamp on the movie with his poem 'Ardh Satya'. It sets up the movie nicely.

एक पलड़े में नपुंसकता,
एक पलड़े में पौरुष,
और ठीक तराजू के कांटे पर,
अर्ध सत्य

Quality of these words reminds me of Shailendra and Sahir.