मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, January 30, 2014

She May Look Clean....How Syphilis Shaped The World We Live in



sexual health warnings from the second world war

Photograph:         Courtesy: The Guardian, June 6 2013

Smallpox became small because syphilis once was a big pox!

Sarah Dunant:

"And then there are the artists; poets, painters, philosophers, composers. Some wore their
infection almost as a badge of pride: The Earl of Rochester, Casanova, Flaubert in his letters. In
Voltaire's Candide, Pangloss can trace his chain of infection right back to a Jesuit novice who
caught it from a woman who caught it from a sailor in the new world. Others were more
secretive. Shame is a powerful censor in history, and in its later stages syphilis, known as the
"great imitator", mimics so many other diseases that it's easy to hide the truth. Detective work
by writers such as Deborah Hayden (The Pox: Genius, Madness, and the Mysteries of Syphilis)
count Schubert, Schumann, Baudelaire, Maupassant, Flaubert, Van Gogh, Nietzsche, Wilde and
Joyce with contentious evidence around Beethoven and Hitler. Her larger question – how might
the disease itself have affected their creative process – is a tricky one...


...Guy de Maupassant, who started triumphant ("I can screw street whores now and say to them 'I've got the pox.' They are afraid and I just laugh"), died 15 years later in an asylum howling like a dog and planting twigs as baby Maupassants in the garden."

(Guardian, May 20 2013)



"Even infections that used to be a breeze to treat, like gonorrhea, are becoming incurable." 

(The New York Times, December 9 2012)

शरद जोशी:

" ...जगाचा इतिहास 'सिफिलिस' या आजाराने मोठय़ा प्रमाणावर बदलला आहे. हा लैंगिक आजार व त्याचे जंतू हळूहळू मेंदूपर्यंत पसरतात आणि रोग्याच्या मनात त्यामुळे विनाकारणच काही तरी भव्यदिव्य करून दाखवावे अशी बुद्धी तयार होते. त्याकरिता आवश्यक तर हजारो नाही, लाखो लोकांचेही मुडदे पाडायला तो सहज तयार होऊन जातो. इतिहासात रशियातील पहिले तीन झार आणि अलीकडच्या इतिहासातील माओ त्से तुंग वगरे पुढारी या वर्गात मोडतात. भारतातल्याही एका नामवंत पुढाऱ्याची गणना यातच होते. आपण अकबराचे अवतार आहोत अशी भावना करून घेऊन त्यापोटी सगळा देश लायसेन्स-परमिट-कोटा-इन्स्पेक्टर राज्यात बुडवणारे आणि इंग्रजांनी प्रस्थापित केलेली कायदा आणि सुव्यवस्था संपवून टाकणारे नेतेही या वर्गातलेच." 

(Loksatta लोकसत्ता, May 29 2013)

The Times of India reported in November 2011:

"India is on the verge of eliminating syphilis, one of the most common sexually transmitted diseases (STD) in the country. According to the National Aids Control Organization (NACO), syphilis, which earlier used to affect about 8% of pregnant women, has been reduced to less than 1%. Among female sex workers, it affects about 4% as against 30% till a few years ago."

I wonder about the veracity of this claim because Guardian article from which I have quoted above says:

"...Of course, we have not seen the end of syphilis – worldwide millions of people still contract it,
and there are reports, especially within the sex industry, that it is on the increase in recent
years..."


Marlene Zuk wrote in The New York Times on April 29, 2008:

"The new research suggested that syphilis originated as a skin ailment in South America, and then spread to Europe, where it became sexually transmitted and was later reintroduced to the New World.

The origin of syphilis has always held an implied accusation: if Europeans brought it to the New World, the disease is one more symbol of Western imperialism run amok, one more grudge to hold against colonialism…"

Jared Diamond says about it:

“…when syphilis was first definitely recorded in Europe in 1495, its pustules often covered the body from the head to the knees, caused flesh to fall off people’s faces, and led to death within a few months. By 1546, syphilis had evolved into the disease with the symptoms so well known to us today.”

('Guns, Germs, and Steel', 1997)

Michael Crichton says about it:

“…You can carry tuberculosis for many decades; you can carry syphilis for a lifetime. These last are not minor diseases, but they are much less severe than they once were, because both man and organism have adapted…”

('The Andromeda Strain', 1969)

This less severe syphilis (उपदंश) might have accosted a few prominent historical personalities that shaped India's destiny.

T S Shejwalkar (त्र्यं. शं. शेजवलकर) says in his classic "पानिपत, 1761" (Panipat):

Ahmad Shah Abdali probably had a disease like syphilis and so too was the case of Najib khan”.



Battle of Panipat,  14th January 1761

courtesy: 'Mughal India: Art, Culture and Empire' by Sheila Corr,  
from History Today, December 2012

Shejwalkar also speculates that a few prominent personalities from 18th century Maharashtra too might have suffered from the disease.

These bigwigs married multiple times and also kept mistresses. One reason, he argues, they married very young girls late in their life because it was believed an intercourse with such a girl would rid them of the disease. The other possible reason was hypothesized increase in virility that came after mating with such a girl.

Belief still exists in parts of today's India that “… having sex with a ''fresh'' girl can cure syphilis, gonorrhea and other sexually transmitted diseases, including the virus that causes AIDS.”

(JOHN F. BURNS, The New York Times May 11, 1998)

Indeed the disease played a decisive role in the history of the world.

Guardian , again : "How far his (Cesare Borgia)  behaviour, oscillating between lethargy and manic energy, was also the impact of the disease we will never know. He survived it long enough to be cut to pieces escaping from a Spanish prison. Meanwhile, in the city of Ferrara, his beloved sister Lucrezia, then married to a duke famed for extramarital philandering, suffered repeated miscarriages – a powerful sign of infection in female sufferers. For those of us wedded to turning history into fiction, the story of syphilis proves the cliche: truth is stranger than anyone could make up."


Artist: Dana Fradon, The New Yorker, 29 August 1959

"Have you heard about poor spirochete bacterium Treponema pallidum subspecies pallidum? They've discovered a cure for him."

...well, not yet for syphilis