G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Tuesday, April 13, 2010
I saw its promos.
Ms. Shahane is famous for her smile. She in fact is the pioneer of its Indian-TV version. Remember 'Surabhi', the program she co-hosted on Doordarshan?
Today Ms. Shahane promotes positive thinking. She feels it is panacea. Whatever is your problem, she has the answer: "Be Positive".
The other day I briefly saw Archana Joglekar (अर्चना जोगळेकर) on Marathi TV. She too was talking about the power of positive thinking. She asked viewers to embrace 'positivity'.
I bet if you watch Marathi TV everyday, you will get a large dose of positive thinking, kind of Jamalgota for your mental constipation.
(See an earlier post on the subject here.)
I wish both the fine ladies read either 'Bright-sided /How the Relentless Promotion of Positive Thinking Has Undermined America' by Barbara Ehrenreich or Lucy Ellmann's review of it:
"...Positive types aren't just misled, they're mean...
...The pitiless message to the powerless from all these motivational speakers, megachurch preachers, self-help gurus and other assorted selfishness-sellers is that sad sacks get what they deserve.
Promoting the idea that happiness is within your grasp is in the interests of corporations trying to bamboozle an overworked and underpaid workforce...
...Informing the uneducated and unmedicated that their plight is all their own fault is followed up by instructions for making anything you desire – from a new TV screen to a trip to Mexico – "materialise" through mind control. The censorship of negative opinion combines perfectly with the American policy of each man for himself in the best of all possible worlds.
This is the philosophy that gave us the smart bomb, the space programme, sub-prime mortgages, plenty of psychopaths and Sarah Palin. Every dumb American idea we've all had to stomach and die for can be attributed to this devotion to fantasy and self-satisfaction...
...Americans aren't happy, they're just trained to look as if they are. It's fake orgasm on a grand scale, and we're almost deafened by the din..." (The Guardian, Saturday 9 January 2010)
During the interview in February 2010, Ms. Joglekar talked about how her mother- Asha Joglekar, a classical dancer herself,- once completely ignored whatever Archana and her students were doing in class and instead immersed herself in a book on/by Mirabai.
Wise choice. I am sure junior Ms. Joglekar didn't mind the snub because of her 'positivity'.
But the message I got from senior Ms. Joglekar: Mirabai helps even in dance.
Artist: Colin Wheeler, Spectator