G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Thursday, October 25, 2007
“Veteran film director Francis Ford Coppola has launched a blistering attack on three of the great actors he has directed.
The five-time Oscar winner took a surprise hit at Robert De Niro, Al Pacino and Jack Nicholson, saying he has become disappointed with them as they have grown older and richer.”
Coppola doesn’t feel that this has to do with their age: “You know, even in those days, after The Godfather, I didn't feel that those actors were ready to say, 'Let's do something else really ambitious.”
I am on the side of Coppola. Great art is often created out of hunger, suffering and insecurity.
Actor Dr. Shreeram Lagoo डाँ. श्रीराम लागू often defends his own crappy work in Hindi cinema saying he did it for money. I am not sure how much money he needed and for how long but in the process Marathi stage lost a promising artist who could have done some great and not just good work. Also, because of hamming he did in cinema, he surely lost a lot of his sensitivity as an actor.
Artist: Sam Cobean The New Yorker 17 Jan 1948