G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Monday, March 12, 2007
Also, it is not simply demand-supply economics at work.
For example, price of oil rises because it is favourite commodity of speculators and hedge funds and not because some great fundamental forces are at play.
Another prevailing thing among business media is the pervasive and insidious habit of anthropomorphic thought. "markets will go where they want to go"!
Edsger W. Dijkstra: "Is anthropomorphic thinking bad? Well, it is certainly no good in the sense that it does not help. Why did the stone fall in Greek antiquity? Quite simply because it wanted to go to the centre of the earth. And, several centuries later, we had the burning question: why do stones want to go to the centre of the earth? Well, that is simple too: because that's where they belong. Why are heavier stones heavier than lighter stones? Because they are more eager to be at the centre of the earth. But then Galileo made the troubling discovery that the heavier stone does not fall any faster than the lighter one. How come? Simple, dear Watson: the heavier stone has indeed a greater desire to be at the centre of the earth, but it is also more lazy. So much for a - be it somewhat simplified - history of the development of physics."
Artist : Richard Cline Publication: The New Yorker 25 Apr 1994