मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, December 26, 2024

There is a Short Period in Everyone’s Life when His Character is Fixed for Ever...Eric Blair Goes to Burma

Amitav Ghosh, The Glass Palace, 2000:

"...The British occupation had changed everything: Burma had been quickly integrated into the Empire, forcibly converted into a province of British India. Courtly Mandalay was now a bustling commercial hub; resources were being exploited with an energy and efficiency hitherto undreamt of. The Mandalay palace had been refurbished to serve the conquerors’ recondite pleasures: the west wing had been converted into a British Club; the Queen’s Hall of Audience had now become a billiard room; the mirrored walls were lined with months-old copies of Punch and the Illustrated London News; the gardens had been dug up to make room for tennis courts and polo grounds; the exquisite little monastery in which Thebaw had spent his novitiate had become a chapel where Anglican priests administered the sacrament to British troops. Mandalay, it was confidently predicted, would soon become the Chicago of Asia; prosperity was the natural destiny of a city that guarded the confluence of two of the world’s mightiest waterways, the Irrawaddy and the Chindwin..."

 George Orwell, 'Burmese Days': "There is a short period in everyone’s life when his character is fixed for ever." 

This is an epigraph of new novel by Paul Theroux "BURMA SAHIB", fictional account of Orwell's life in Burma from 1922 to 1927.

I have read Burmese Days, 1934 after I lived in Assam for about three years (1989-1992) and I could relate to a few things in the book easily. But in the end the novel left me sad. 

It is said that young Orwell's experiences in Burma made him the writer and thinker who became George Orwell

Reviewing Theroux's new book for TLS,  Alice Jolly writes:

"... Although Paul Theroux allows himself no authorial rhetoric or contemporary critique, Burma Sahib is a work of profound relevance to the present day for the way in which it demonstrates how human beings become enslaved to systems, institutions and social codes. It shows how such systems work to obscure the facts and make it impossible for the majority to rebel or even question. Blair is aware that the British Empire is a “racket” and a “colossal bluff”, but he can do little to oppose it. Only later, in his writing, does he begin to challenge it; and then only at a distance."

 

Eric Blair at 19 (Credit...Private Collection, via Bridgeman Art Library)