G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Wednesday, March 12, 2008
In sad circumstances. Alone. Apparently she had no house to stay before it was arranged. No one knows her only daughter’s whereabouts.
This is almost a pattern when it comes to Hindi film personalities, particularly character actors, of yesteryears.
She gave us so much of pleasure.
Other day I watched tearjerker Dus Lakh (1966) for a while. It has a scene when Manorama walks over to the table where Pran and Om Prakash are sitting. Moving her arched thumb towards Om Prakash, she asks Pran: “Who is this joker?”
I couldn’t stop laughing for a while.
1972 was a golden year for her.
Block buster, “Seeta Aur Geeta” is the most popular movie in our household largely because of Manorama. And “Bombay To Goa” where Manorama stood her ground admirably is arguably the greatest gathering of comic actors in Hindi film history.
Sorry Manorama, we were not grateful enough and life –not you- is a bitch anyway. Make lots of faces at us.
Artist: Alain The New Yorker 20 January 1934