G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"

Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Sunday, July 20, 2008

I like my Vertigo. More so after reading Francois Truffaut.

Times of India, July 11 2008:
“Incidence of vertigo highest in 36-60 age group…sedentary urban lifestyle, stress and lack of exercise are factors contributing to the growing trend of vertigo in the youth…”

Although “sedentary urban lifestyle, stress and lack of exercise” don’t strictly apply to me, I suffer from mild vertigo/ acrophobia.

In fact, I think I tend to enjoy it.

I wonder if this “perverse” enjoyment has anything to do with my favourite movie Alfred Hitchcock’s “Vertigo”. First time I saw it was in early 1980’s in Mumbai (at Sterling cinema?). I enjoyed every minute of it.

Later I read and keep reading masterly “Hitchcock (revised edition” by Francois Truffaut with the collaboration of Helen G. Scott (first published in 1967).

Books says:

“…To put it plainly, the man (Scottie Ferguson played by James Stewart) wants to go to bed with a woman who’s dead; he is indulging in a form of necrophilia…

When you see Judy (played by Kim Novak) walking on the street, the tawny hair and make-up convey an animal like sensuality. That quality is accentuated, I suppose, by the fact that she wears no brassiere…That’s right, she doesn’t waer a brassiere. As a matter of fact, she’s particularly proud of that!”

I knew part of the reason why I liked the movie so much!

Artist: Sam Gross The New Yorker 11 February 2002