G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Monday, November 29, 2010
While the dominant trend in recent British art has toyed with nihilism, the mass media have done the opposite. Technology has been used to manufacture meaning. The camera gives us a snapshot of events and allows us to imagine we are seeing things clearly and plainly. By turning the chaos of sensation into a series of definite images, it enables us to find meaning when it may in fact be fugitive, or even absent. The truth is that we do not know why some people commit hideous crimes, but living in this knowledge is intolerable because it leaves the world a random place. The media cater to our need for order. When the camera is used to construct an icon of evil, it is not simply giving vent to punitive fantasies, but being used to maintain meaning in our lives.
And their (India’s) media is heading for ad-backed celebrity hell faster, and more comprehensively, than ours.
When I see India's superstar TV and newsprint personalities, I never think they bring any order or meaning to my life but I always feel they are smart, wealthy, sophisticated- like Avery Jessup of 30 Rock and totally unlike me- but I don't like what they do and I can always switch off the TV.
I never thought they were so corrupt.
The best comment on this has probably come from unsung Sudhir Tailang who according to me is the best political cartoonist drawing for a national newspaper in India today. If Mr. Tailang were to focus his attention on life beyond politics he might scale even greater artistic heights.
Artist: Sudhir Tailang, The Asian Age, November 28 2010
p.s After I posted the above, I came across this "Welcome to the Matrix of the Indian state" by Siddharth Varadarajan. Please read it to assess India's Who's Who.