G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Albert Einstein: “I am content in my later years. I have kept my good humor and take neither myself nor the next person seriously.” (To P. Moos, March 30, 1950. Einstein Archives 60-587)
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Saturday, September 03, 2011
Germans may not have been aware of every aspect of Hitler’s plan to exterminate the Jews and eliminate political dissenters, but they had an acute understanding of the diabolical nature of his vision, and instead of acting against it they sometimes laughed about it.
(review of 'Dead Funny: Humor in Hitler’s Germany' by Rudolph Herzog)
I often feel that activists (and international celebrities) like Arundhati Roy are lucky when it comes to freedom of expression in India because the Indian state makes sure that they are not touched by anyone. They also are financially secure if not wealthy by Indian standards.
But when it comes to common man, he has to constantly look over his shoulder to write or say something that may ruffle feathers of fundamentalists of all hue in Maharashtra.
I am sure a few of Maharashtra's cartoonists feel the same way. They would have taken on these forces if they felt secured. The mock would have run amok. They would have drawn their targets panzers...err pants down.
On July 26 2009, I wrote about legendary Palestinian cartoonist Naji al-Ali here who was shot dead on August 29, 1987.
Now The New York Times reports "Political Cartoonist Whose Work Skewered Assad Is Brutally Beaten in Syria":
"BEIRUT, Lebanon — Masked gunmen severely beat Syria’s best-known political cartoonist on Thursday, breaking his hand and leaving him to bleed on the side of a road in Damascus, activists said.
The attack came days after the artist, Ali Farzat, published a cartoon showing President Bashar al-Assad hitching a ride out of town with Col. Muammar el-Qaddafi of Libya, who was toppled from power this week..." (August 26, 2011)
The Guardian had rightly asked in July 2002:
"Favoured by Syria's new president (President Bashar al-Assad), Ali Farzat, leading cartoonist and popular newspaper publisher, seemed to have a licence to mock. Can it last?"
In India, many political and social activists have been attacked or even killed but luckily for cartoonists they seem to have been spared so far. Also, as said earlier, cartoonists too play safe.
I had not seen the work of Mr. Farzat. I saw it on Guardian's website.
The pictures are absolutely wonderful. Even those which I don't fully understand.
See one of them below.
On tele, 'Mushy Love in the time of Torture'? Look at the right foot and the right hand of the captive. They lie severed on the ground!
Absolutely gut-wrenching. Brings home the power of the cartoon as a medium.
Artist: Ali Farzat
From 'Dead Funny: Humor in Hitler’s Germany' by Rudolph Herzog:
Jokes told by German Jews-
How many types of Jews are there? Two: optimists and pessimists. All the pessimists are in exile, and the optimists are in concentration camps.
The Gestapo is about to shoot some Jews when the commanding officer walks up to one of them and growls, “You almost look Aryan, so I’ll give you a chance. I wear a glass eye, but it’s not easy to tell. If you can guess which eye it is, I’ll let you go.” Immediately, the Jew answered, “The left one!” “How did you know?” asks the Gestapo commander. “It looks so human.”
The Holocaust is a tale, among other things, of the most staggering breakdowns of ethical responsibility. Neighbors turned on neighbors, and people closed their eyes to atrocities committed on a daily basis—evil was everyday and commonplace, an idea that is critical to Herzog’s premise, which is that the jokes told in Nazi Germany by ordinary citizens reveal the extent to which they were also responsible for the terrors committed by Nazis on behalf of the state. Herzog is accurate in his assessment that when we laugh at Hitler, we “dismiss the metaphysical, demonic capabilities accorded to him by postwar apologists” and others who would have us believe that Hitler’s capacity for evil was not human. Laughing at Hitler might have been a way back to ethical responsibility, because inherent in the laugh is an acknowledgment of just how frightening the human capacity for evil can be.