मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
"... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Saturday, January 30, 2010
1. "Stalingrad" by Antony Beevor
2. "The Road" by Cormac McCarthy
3. "Palkhi" (पालखी) by D B Mokashi (दि. बा. मोकाशी)
If I have to choose the most interesting character from each of them, they would be Friedrich Paulus, the Father and Mokashi respectively.
And if I were to make feature films based on these books, to play all those- seemingly disparate- roles, I would choose Gene Hackman or Balraj Sahni.
These two gentleman make me watch their film- on second viewing because I am simply awestruck first time- the way I would read good poetry: I want to dissect every word, I want to pause, I want to go back, I want to focus on what they do with their whole body....
In their hands, cinema as an art scales the heights reached by written word and music.
Cinema is primarily a director's medium but there are always exceptions.
Hackman has dabbled in writing. According to Wikipedia "Sahni was a gifted writer, his early writings were in English, though later in life he switched to Punjabi, and became a writer of repute in Punjabi literature."
I did not need Wiki info because Sahni's worth was proven when he wrote dialogues, screenplay and story of my favourite Hindi film Baazi(1951).
Hackman is a child of a broken home while Sahni had to suffer early death of his beloved daughter after her marriage.
Mr. Sahni never turned even 60.
Soumitra Chatterjee, when asked "You have been a model to more than two generations of aspiring actors. Who has been your model?":
"One person who really inspired me was Balraj Sahani. I think he is the best cinema actor that India has ever seen. He could carry on a big role, a hero's role with the nuances of a character actor."
(Frontline, May 4 2012)