G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Wednesday, January 10, 2007
Oh, do they?
Today she may end up not watching another movie in her life because hardly any one is based on a good book.
I don’t know the last decent Hindi film based on a good book. 1983’s Ardha Satya ("Half Truth") based on Sri Da Panwalkar’s story? Yesterday, I read Vinod Khanna, mega- star of yester-years, saying as much - dearth of good scripts and scrpt-writers.
What about Hollywood?
LYNN HIRSCHBERG writing in New York Times Magazine, November 14, 2004 “What Is an American Movie Now?” said:
“…America seemed, at best, an absurd, vaguely comic place. When you look at the big international hits of the year, it is easy to understand why the world views America with certain disgust. Shrek may be a lovable (and Scottish) ogre, but nearly every other global hero in American movies is bellicose, intellectually limited, stuck in ancient times or locked in a sci-fi fantasy.
American films used to be an advertisement for life in the states -- there was sophistication, depth, the allure of a cool, complex manner. Now most big studio films aren't interested in America, preferring to depict an invented, imagined world, or one filled with easily recognizable plot devices.
"Our movies no longer reflect our culture," said a top studio executive who did not wish to be identified. "They have become gross, distorted exaggerations. And I think America is growing into those exaggerated images. My fear is that it's the tail wagging the dog -- we write the part, and then we play the part."