G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Monday, September 10, 2012
"...When John Murray published the works of Lord Byron in London in the early 19th century, he risked prosecution and jail if the work was found blasphemous or libelous by the powerful. Byron, notoriously, didn’t help things, deliberately writing his poetry out along the razor’s edge of public tolerance, just as he lived his life. In another example, Shelley wrote to his publisher, Thomas Hookham, regarding the appearance of his poem Queen Mab: “If you do not dread the arm of the law, or any exasperation of public opinion against yourself, I wish that it should be printed and published immediately.” Hookham must have had such fears because he refused to publish the atheistic and revolutionary poem (Tory legislation against “blasphemous and seditious” literature was the order of the day). As a consequence, the first edition of the work was self-published in a run of a few hundred copies for distribution among friends. Even so, in 1817, the poem’s radical politics and atheism were used against Shelley in his suit to gain the custody of his children; he lost the suit and never saw them afterwards. In England, still in reactionary posture after the French Revolution and Napoleon, poets and writers like Shelley, Byron, and Leigh Hunt found it safer to flee the country in order to write. They conducted their on-going dialogue with their native land through their brave, nerve-wracked, and sometimes imprisoned publishers..."
The Hindu, September 9 2012:
"Award-winning political cartoonist and anti-corruption and Internet freedom crusader Aseem Trivedi (25) was remanded in police custody till September 16 by a holiday court in Bandra on Sunday. He was arrested on Saturday night on charges of sedition, cybercrime, and insulting the national flag, Parliament and the Constitution through his work..."
"Reward for information leading to the apprehension of --- Jesus Christ Wanted -- for Sedition, Criminal Anarchy - Vagrancy, and Conspiring to Overthrow the Established Government. Dresses poorly, said to be a carpenter by trade, ill-nourished, has visionary ideas, associates with common working people the unemployed and bums. Alien - beleived to be a Jew Alias: 'Prince of Peace, Son of Man'-'Light of the World' etc etc Professional Agitator Red beard, marks on hands and feet the result of injuries inflicted by an angry mob led by respectable citizens and legal authorities."
Artist: Art Young, The Masses, 1917
courtesy: Wikimedia Commons