G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Tuesday, February 09, 2010
Many, if not most, important books and authors, Indian and foreign, have NOT been translated in Marathi. (Read a related post here.)
Therefore, it is not surprising that, today, most Marathi speakers don't know anything about Stefan Zweig. It wasn't always so. At one point, he was popular among adult Marathi readers
Our household was an exception where kids knew Zweig.
From our early childhood, we knew him and Erich Maria Remarque more than Henry James and Charles Dickens because my father was busy translating some of Zweig's work into Marathi.
One of the titles is 'bhannaat' (1970) भन्नाट, translation of 'Amok'(1922).
I was captivated by my father's translations.
Durga Bhagwat mentions Zweig in her autobiographical 'Aispais Gappa: Durgabainshi' by Pratibha Ranade, 1998 (ऐसपैस गप्पा : दुर्गाबाईंशी, लेखक प्रतिभा रानडे).
Durgabai explains why Zweig committed suicide in 1942: passing of a world he cherished and missed.
I too have figured out a 'Why'? More I read Antony Beevor's masterpieces on World War II, more I say why not.
I didn't know that Zweig had left a long suicide note. In the form of a book: 'The World of Yesterday'
Nicholas Lezard reviews it for The Guardian December 5, 2009.
I found it very moving.
"...His art was always self-effacing, or certainly not self-revelatory; all you could have confidently told about him from reading his work is that he was obviously thoughtful, highly observant, and humane...
...and his world, as the Habsburg empire crumbles and the serene confidence and prosperity of central Europe turns to barbarism and despair, he has produced a document which, however well you think you know the story, is essential to our understanding of history...
...His picture of prewar Paris will have you almost in tears for a lost world...
...This is, in short, a book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives..."
I should read it.
Will I ever get to read a book on India or Maharashtra we have lost since I left Miraj in 1981? I miss Miraj the way the ladies in the beautiful picture below are missing men in the woods!
Will, some day in future, I miss that world so much that I think of a suicide? After all my father's father's brother (read more on this here) and my father's mother's brother have committed suicides.
Artist: Adolf Dehn, The New Yorker, June 15 1935
p.s. The name of the cartoonist is Adolf (meaning noble, and wolf; in sequence).
"The use of Adolf as a given name has drastically declined following the regime of Nazi Germany and its Führer, Adolf Hitler, and it has since been a widely avoided name for newborn boys due to its negative association with Hitler." (Wikipedia)