मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे:
"... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, March 09, 2012

Coming SciFi: Much-Less-Waterworld

Chandran Nair, FT, March 6 2012:

Across Asia capitalism does not need replacing but must be reshaped if it is to meet the needs of all its people. There must be constraints on consumption, with externalities priced in and, where necessary, with curbs on certain resources. Only then can economies run in ways that ensure everyone has fair access to the resources they need. This can ensure everyone has a future beyond the 21st century.


All forecasts miss their mark. After all, a book written 200 years ago imagining today's energy needs would discuss coal, but oil, gas and even electricity would not feature in the index. Most of the discussion would probably be devoted to the looming problem of hay scarcity.

James Harkin

Good advice for the budding forecaster is not to try to fix things that are necessarily in flux. Avoid talk of time bombs, and steer clear of predicting the end of anything – wars, resources and certainly not history. And try not to peer too far into the future, or you’re very likely to fall flat on your face.

I don't know what next hour will bring in. Let alone tomorrow or next century.

But I am going to make one forecast: A lot of Indians will continue to struggle for water (पाणी) in year 2112. More so than they today.

Cory Doctorow says: "science fiction writers don't predict the future (except accidentally), but if they're very good, they may manage to predict the present."

James Lovegrove says: "Contrary to received opinion, science fiction’s preoccupation has always been the here and now. Its far-flung planets and future timelines are merely a way to analyse the contemporary. In this respect, it is the most politically engaged of all literary genres. Motifs that may appear trashy to the uninitiated - space exploration, extraterrestrials, futuristic technology - can in fact be surprisingly sophisticated tools for dissecting and examining the world as it is."

My favourite the late Mr. Handelsman puts it even better:

"The first requirement of science fiction is credibility. And yet, Mr. Zoxplep, here you've invented a race of creatures who systematically destroy their own environment."

Artist: J B Handelsman, The New Yorker, 4 Sept 1971

A good Marathi science fiction is waiting to be written that has earthly water at its heart. There is "Less Per Capita Waterworld" ahead of us before "Waterworld", 1995!

(Another waiting scifi, inspired by J G Ballard's 'Crash', is "Death on the Wrong Side / Pune Road Odyssey 2012". More on this later.)

In 2011 it rained copiously in Pune. We soaked in the beauty of overflowing of Katraj (कात्रज) lake from our flat on many days. And yet Pune is struggling for water in March 2012 itself.

Such struggle always brings to my mind summer of 1983 at IIT, Madras. There was such a scarcity of water on the campus that students used to go from hostel to hostel looking for it.

I said: This gives one more excuse to these "The Best and the Brightest", would-be masters-of-the-universe to migrate out of India! (Year 1983 was one of the toughest to get US student visa. Still they escaped in hordes. I remember one BB / MOU joining IIM-Calcutta only to lie in wait to get the ultimate visa little later.)

Then you could spot many deer on the campus including just below my room at the hostel named after mighty river Brahmaputra. They were so desperate for water and food that they almost ate anything. Their favourite was Surf washing powder carton box!

True to its name, my hostel always used to have some water!

In 1989-92, I saw a lot of poverty on the footpaths of Kolkata but I always thought that in one aspect they- atleast those on Hazra road- were luckier than their counterparts in most parts of urban India: abundance of water. Going to Hooghly river front and seeing that mighty flowing river in summer- compared to dry river beds of most Maharashtra rivers- always brought a lot of solace.

I once wrote to Amitav Ghosh after reading his 'The Hungry Tide', 2005 that I liked it more because there's so much river water in it than inscrutable Irrawaddy dolphins in them!

Look at the smiling kid in following lovely picture.

He is wearing a tie, now, after/before the school, tucked away on his back so that it does not hinder him in his work. He probably goes to an English medium school. With a bit of luck, when he grows up, he will get a job in India's sunrise industries.

There is a spring in his step. What is he doing? He is running with empty water vessels to fetch some water. I am going to call him Panini (पाणिनि)! It's a pun on word पाणी (water)...Someone who has no water or Someone in quest of water.

100 years from now, whatever else happens, you will find many Panini's in Pune.

'A school boy with a Tie, Panini of 21st Century, Rajaram Patil Wadi, Kharadi, Pune'

courtesy: Artist- Mandar Deshpande, The Times of India, March 3 2012


Michael Dirda's review of J.-H. Rosny aine's ‘Three Science Fiction Novellas: From Prehistory to the End of Mankind’ April 5, 2012:

"...When “The Death of the Earth” begins, the seismic shocks are increasing in intensity and water is growing scarcer and scarcer. But one man, Targ, refuses to surrender to the general lassitude and dreams of a renewal of civilization..."

The Asia Age, March 23 2012:

"India has the world’s largest water infrastructure, but the poorest water delivery system in the world. On World Water Day 2012, water experts are demanding a dramatic revamp of the present water management strategy..."

, March 23 2012:

"For Ballard, who died in 2009 at the age of 78, the true horrors of our collective future don’t concern what might happen hundreds of years from now in a spaceship; rather, they reverberate in the very ordinary now-ness of freeway overpasses, sports stadiums, high-rise apartment complexes and gated communities."

...and water filling stations, city roads...