G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Friday, June 22, 2007
Educated Indians are exhibiting more and more rabid nationalism by espousing causes like religion (“if Islam has become little loud at few places in the world, others too should”), national borders (“China cannot even mention Arunachal Pradesh”), Cricket (beating Pakistan is the greatest glory), language (“Is Pratibha Patil- aspiring President of India- ‘Marathi’”?), river-waters (“not a drop to neighboring state let alone nation”), historical-figures (“how can a white man even mention Shivaji?”), tracking every move of astronaut Sunita Williams because she has Indian roots and many, many others.
The latest to join the long list is The Taj Mahal. Indian Media want Taj to make it to the list of Seven Wonders of the world. As usual they have become hysterical and cacophonic.
I wonder why it should matter. People will continue to either love it or dislike it (there are many such). Either way, they will flock to see it. For me the greatest thing about Taj was finding it where I did. Very unexpectedly. Suddenly. Out of nowhere.
I don’t know how many of us realize it but Shivaji might have seen Taj when he famously visited Agra in year 1666. I mentioned this to the Late D G Godse द ग गोडसे, one of the greatest art critic, artist and historian who wrote only in Marathi. Remember, Godse has written extensively about aesthetic beauty of Fort Raigad’s (seat of Shivaji’s small kingdom) architecture in his book “Shakti Saushthav” (Popular Prakashan 1972). Godse wrote back to me that Shivaji must have appreciated beauties of both Raigad and Taj.
Diana and Michael Preston has recently published a book on Taj- “A Teardrop on the Cheek of Time: The Story of the Taj Mahal”. It has been reviewed quite favourably in FT and Guardian.
Some interesting tidbits from the reviews.
“……. Even in her late thirties, when most women were considered ”too old for sex”, Mumtaz had an enduring appeal: Shah Jahan impregnated her 14 times in the 19 years before her death (in childbirth) and she had available to her a number of techniques to ensure that her madan-mandir (temple of love), ”slackened by constant pregnancy”, we are told, contracted to enhance Shah Jahan’s pleasure……Fulfilling Mumtaz Mahal’s deathbed request (”build for me a mausoleum which would be unique, the like of which is not on earth”) took almost 20 years, stretched the finances of the 17th-century’s richest monarch and diverted his attention from the business of governing……… In later life, Shah Jahan’s voracious sexual appetite returned as memories of Mumtaz faded. The authors, optimistically perhaps, suggest his later pursuit of loveless sex and ”debauching of his courtiers’ wives and daughters represented a fervid quest to prove that Mumtaz Mahal had been unique and worthy of a unique love”.
……Over time the Taj was neglected, vandalized. Finally Lord Curzon, the British viceroy, undertook a major restoration. It was, he said, ‘an offering of reverence to the past and a gift of recovered beauty to the future’. But the future brings its own dangers: the biggest threat now comes from pollution, and the moisture-laden breath of tourists. When we visit the Taj and sigh in admiration, we are helping to destroy it.”
Although as D D Kosambi (year 2007 is his birth centenary) has argued in his numerous writings, life of common people in India has not changed much through so-called golden ages or dynasties,Shah Jahan was 17th century’s richest monarch in the world.
Yes, ma'am he did not need any aid to build The Taj!
Artist: Ed Fisher The New Yorker 25 Aug 1962