G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Saturday, January 23, 2010
Wikipedia says: "In Puranic mythology, Indra is amorous character at times...". I think lecherous would be a fitter word.
I often thought that Indra probably looked like Hindi film actor Premnath of Johny Mera Naam fame! Poor Ahalya. She was turned to stone while the seducer got away lightly by becoming 'Thousand Eyed'.
I still remember the night I watched Warren Beatty's "Heaven Can Wait" , at the open air theatre of IIT, Madras and James Mason's words describing what it meant to be dead.
I really enjoyed it. (Frankly even an ordinary movie became watchable at OAT because if not film-stars you could always watch real stars!)
Since then I have watched a few more movies of Mr. Beatty. Most of them are likeable. However during the same period I have read more about his ability to bed women rather than his work in cinema. Contrast that with Clint Eastwood who has scaled great cinematic heights with the passage of years.
In a review of "STAR/ How Warren Beatty Seduced America" By Peter Biskind Guardian Jan 10 2010 Euan Ferguson writes:
"...Warren Beatty has, according to this long-awaited semi-authorised biography, bedded almost 13,000 women in his life...
...Seduction was his greatest asset. Once he was interested in a woman, he would never let go. He enveloped her with his every thought. He wanted total control of her; her hair, her make up, her work. He took notice of everything...Charm he certainly had, and many who shared his bed stress this to Biskind. But there was also a driving need for complete control, which may have got them weak-kneed in the first place.."
"...He enveloped her with his every thought. He wanted total control of her; her hair, her make up, her work. He took notice of everything...But there was also a driving need for complete control, which may have got them weak-kneed in the first place.."
Some of the sexiest scenes in Indian films were shot on Nargis and Raj Kapoor. There was almost no nudity, no kissing but, for my taste, the pair made virtual love on the screen.
Was Mr. Raj Kapoor like Mr. Beatty in some respects? Dev Anand?
No other name from Hindi film world comes to my mind.
Only the women in their lives- and there were quite a few!- could answer.
As for Indra, he would like to have a closer look at Mr. Beatty's anatomy if and when he reaches heaven.
Heaven can't wait!
Artist: Warren Miller, The New Yorker, March 22 1976