G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Tuesday, September 22, 2009
The Times of India reported on August 6 2009:
"Arrested Pakistani gunman Ajmal Amir Kasab asked his lawyer if anyone would tie him a rakhi on Wednesday — the day of Raksha Bandhan. To which, Abbas Kazmi, his lawyer, said, ‘‘If some one treats you like a brother, she will surely come and tie a rakhi.’’..."
Raj Thackeray, a cartoonist and a politician, thought of a cartoon based on this.
"Bhratmata (mother India) approaches Kasab with a rakhee in her hand and, instead of tying it on his wrist, strangulates him with it."
I was saddened by this.
More so because I had guessed what Mr. Thackeray would say before he said it. (Only my son is a witness to that.)
When will our cartoons and cartoonists evolve?
Reviewing comics artist David B's masterpiece 'Epileptic', RICK MOODY says:
"...Less well observed is the relationship between literature and comics. While there are worthy precursors, to be sure, the ascent of comics into the realm of the literary began in earnest in 1986 with the publication of Art Spiegelman's ''Maus.'' And with Chris Ware's ''Jimmy Corrigan: The Smartest Kid on Earth'' (2000), comics and comic artists became unavoidable in literary circles...
...In short, ''Epileptic'' constitutes something new: a graphic intellectual history. A design-oriented history of ideas. There are entire dreams illustrated here in a disturbing and rococo illustrative style, with interpretations included, as if David B. were channeling Jung's ''Memories, Dreams, Reflections'' or Freud's writings on the oneiric...
...But just as the graphic novel has borrowed from the acute observational skills of the great literary writers of the past, so ''Epileptic'' borrows from the great cultural and intellectual archeologies of French nonfiction of the last 100 years, while remaining both accessible and moving..."
(NYT, January 23, 2005)
"Yes, he's my son...He's just not feeling well."