मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
"... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Friday, May 29, 2009
"Despite pledges to protect South Vietnam, former US President Richard Nixon privately vowed to "cut off the head" of its leader-Nguyen Van Thieu-unless he backed peace with the Communist North, tapes released on Tuesday showed..."
One more fan of severed head.
Post that was published on May 29, 2009:
William Faulkner: “The past is not dead; it is not even past.”
The Sri Lankan military has released pictures of Tamil Tiger leader Velupillai Prabhakaran which it says prove conclusively that he is dead.
Those parental-guidance-suggested pictures are insufferable.
M.R. Narayan Swamy says:
“…The Indian Army once intercepted a wireless message from him (Velupillai Prabhakaran ) asking a colleague to kill two rival Tamils and deliver their severed heads to him…”
(“How a guerrilla chief grew drunk on blood”, Asian Age, May 20, 2009)
‘Severed-heads’ have always been with us. They brought another sorry episode from history to my mind.
In December 1760, Atai Khan, working on the orders of Ahmad Shah Abdali severed the head of sixty-plus years old Govind Ballal Kher aka Govind Pant Bundela, a Subedar of Maratha, and sent it to his boss- Abdali.
Abdali 'presented’ it to the head of Maratha army, Sadashivrao Bhau. This act surely dented the morale of Maratha army badly. On January 14, 1761, it was trounced in the third battle of Panipat, a sort of Vietnam of Maratha empire.
On May 19, 2009, the Sri Lankan military was adjusting the corpse for cameras to photograph the head that looked severely damaged, if not almost severed.
Tuesday, May 26, 2009
They are in excellent company.
तुकाराम Tukaram (1608-1650):
"आहे ऐसा देव वदवावी वाणी । नाही ऐसा मनीं अनुभवावा ।" (4205)
Forgive my translation:
"say in speech god exists, experience in mind he doesn't."
Simone Weil (1909-1943):
"An atheist may be simply one whose faith and love are concentrated on the impersonal aspects of God.”
Saturday, May 23, 2009
Even when the Congress party was sweeping election after election in Southern Maharashtra, as a school/college boy, I was entertained by graffitis, songs, handbills, posters and slogans.
Cow-dung (more of buffalo actually) was thrown at the rival's posters and graffitis. It was considered the ultimate humiliation , next only to the loss in election.
Jan Sangh candidate usually lost his deposit and his posters/graffitis collected a lot of dung in every election but the party showed more tenacity than what it shows today. Its leaders were incorruptible. They reached every middle-class home (In Pune, I haven't met a single BJP candidate of my constituency in last 10 years). Even Congress leaders in power that included giants like Vasantdada Patil वसंतदादा पाटील were very accessible to ordinary people. There was a good fight on display.
When Bapusaheb Jamdar (of Congress?) lost an election, people shouted: "पैसा पसरला, बापू घसरला." ("Money was spread but Bapu slipped over it.")
Of late in Pune, there have been almost no posters, no songs, no graffitis during elections.
Therefore, I was thrilled to see following graffiti.
In the picture, instead of a factory, I see oversized egos of Prakash Karat, stock-market-bhad-me-jay A.B. Bardhan, D Raja and other sundry communists like Mohammed Salim.
Anti-industry: CPI(M) graffiti in Nandigram features Mamata
Picture Courtesy: Sandipan Chatterjee, Outlook, May 18 2009
Wednesday, May 20, 2009
“…Sir Tej Bahadur Sapru wrote on February 20, 1941. He added: “Those in high authority in India and in England think now that Congress have dealt a mortal blow to the very spirit of democracy in India, a view with which I am not wholly in disagreement. Indeed, I may say that my criticism against the Congress during the years during which it was in power was that it was building up its strength as a party dictatorship. It was not interested in other matters or in developing a true democratic spirit. It was intolerant of criticism and difference of opinion. It alienated large sections of people. The applause and the shouting of the so-called masses went to the head of the Congressmen…. If the rest of the country has got to suffer, it must pay the penalty for its lack of courage… ”
Artist: Leo Cullum, The New Yorker, May 25 2009, Cartoon Caption Contest #194
“Lalu, Mulayam, Paswan, Amar, Deve- who ever you are- I appreciate your efforts to prove your loyalty to Soniaji. Particularly, your this posture has been historically very appealing to the Congress honchos. But the answer is still NO.”
Sunday, May 17, 2009
Artist: Victoria Roberts, The New Yorker, May 18 2009, Cartoon Caption Contest 193
Sonia: “Manmohan, remove those strings. You are already trained for my act and now you don’t need any refresher course in getting puppeteered by outsiders."
Thursday, May 14, 2009
Dante’s “Divine Comedy” (c 1308-1321), Chaucer’s “The Canterbury Tales” (1380-1400), Sarala Dasa’s “Mahabharat” in Oriya (second half of the 15th century), Madhava Kandali’s “Ramayana” in Assamese (14th century), Tulsidas’s Ramacharitamanas in Hindi (1574-1577) all came later.
Dnyaneshwar ज्ञानेश्वर (1275-1296) writes:
"आणि गंगा शंभुचां माथां। संकोचली जेवि पार्था।
तेवि मान्यपदे सर्वथा। लाजनें जें॥" (16-203)
It describes the feelings of river Ganga as she landed on Lord Shiva's head on her way to the earth from heaven. She first felt very shy and then she blushed.
Cana is best known as the place where, according to the Fourth Gospel, Jesus performed his first public miracle, the turning of a large quantity of water into wine at a wedding feast.
Richard Crashaw(c.1613-1649), English poet, describes it thus:
"The conscious water saw its God, and blushed (original in Latin: Nympha pudica Deum vidit, et erubuit)."
'Ganga' in Bengali, Art by S S Havaldar
courtesy: Amar Chitra Katha
Monday, May 11, 2009
My 15-year-old son recently observed: Even in this we are copycats.
Wardrobes of India’s glamorous ramp-walkers began to malfunctions only after Janet Jackson incident.
The most popular programs on Marathi TV are often where young singers, even school-going kids, sing old Marathi songs, just imitating the original singers.
Muzaffar Ali (The Times of India, May 3, 2009):
“…The West invaded India with technology and ideas through multinationals and their hidden persuaders, the advertising agencies. With this came a new form of entertainment — the movies. Hollywood began to make inroads in the metros and small-town India and Bollywood emerged as a hybrid product — aping the West but with one eye on mofussil audiences. In the process, we created one of the world’s largest markets for the Hindi film product. This became more and more formidable, more monolithic, typecast, formula-based and predictable. It promoted obscurantism, violence, vulgarity, vengeance and ultimately, a male-dominated one-dimensional and over-the-top form of celluloid expression…
… First, we need to universalize ourselves. We need to find our roots.”
Artist: Jack Ziegler, The New Yorker, May 11 2009, Cartoon Caption Contest #192
“Has a guest on his show kissed Jay Leno on the lips or had a wardrobe malfunction?” (A question that was asked on India’s talk show)
Thursday, May 07, 2009
What a loss. Of Pu La and his fans!
Looks like NCERT has learnt from this.
Outlook magazine April 27 2009 reports:
"...The ncert is now trying to bring in mainstream Indian films with political and social themes to enable students to have a wider understanding of political history and emerging socio-economic scenarios...
...Of the nine chapters in the class XII political science text book, eight have a movie suggestion. The 1973 Garam Hawa is featured in the chapter on ‘Challenges of Nation Building’. The Balraj Sahni-starrer Haqeeqat (1964) based on the 1962 Sino-Indian war, which portrays the struggle of a small group of Indian soldiers, is part of ‘India’s External Relations’. The Amitabh Bachchan-blockbuster Zanjeer that depicts the struggle of an innocent police officer against the system is included in ‘Challenges of Restoration of the System’...
...The Om Puri and Naseeruddin-starrer Aakrosh, a powerful tale of exploitation and miscarriage of justice, and the Satyajit Ray classic Pather Panchali, a portrait of life rich in experience, but lived amid poverty, are under ‘Politics of Planned Development’..."
Students indeed should learn how bad any war is and I think there is no better place to start the process than watching Haqeeqat. Similarly, Aakrosh (1980) will tell them more about fairness of Indian judicial system than any thing else...
Many aspects of good Hindi cinema are highly under appreciated.
अशोक शहाणे Ashok Shahane writes
(नपेक्षा, Napeksha 2005)
Monday, May 04, 2009
"Industrial civilization is incompatible with life. It is systematically destroying life on this planet, undercutting its very basis. This culture is, to put it bluntly, murdering the earth. Unless it's stopped -- whether we intentionally stop it or the natural world does, through ecological collapse or other means -- it will kill every living being. We need to stop it."
Wikipedia: “Varaha is the third Avatar of the Hindu god Vishnu, in the form of a Boar…The avatar symbolizes the resurrection of the Earth from a pralaya (deluge) and the establishment of a new kalpa (cosmic cycle)…”
Artist: Farley Katz, The New Yorker, April 27 2009, Cartoon Caption Contest #191
“...Now I know...you are no ordinary piglets but the third Avatar of Lord Vishnu. I understand once you reach the earth, you will spread a flu pandemic and usher in a new cosmic cycle.”