G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Thursday, January 26, 2012
(btw- There is no entry in his name in English Wikipedia and just header entry in Marathi Wikipedia as on Jan 24 2012 9:16 AM. Even his profile on The Internet Movie Database is moth eaten.)
I wish he wrote an autobiography. (I don't know if he has already written one and, if not, at his age, one's memory is even more unreliable companion!)
On TV, he was not allowed to even complete some of the sentences, let alone topics!
For instance, he was narrating how he once asked Vijay Tendulkar (विजय तेंडुलकर) if there were only "Sakharam Binder" (सखाराम बाईंडर), "Gidhade" (गिधाडे)-both Teldulkar's plays- to one's life.
Now, instead of letting Mr. Moghe complete what could have been a very interesting response, the "expert" interjected with "Purush" (पुरुष).
Now "Purush" is NOT Tendulkar'a play. It is of Jaywant Dalvi (जयवंत दळवी). But the 'expert' forced Moghe to say "Purush" and in the process killed the original point.
I have never seen Moghe on stage. I have only watched video clips of some of his stage performances.
I have always felt that he has been an under achiever considering his talent.
My father- who has seen them both on live stage- used to rate Nilu Phule's (नीळू फुले) performance in 'Binder' and Moghe's performance in Vasant Kanetkar's (वसंत कानेटकर) 'Lekure Udanda Jahali' (लेकुरे उदंड जाहली) equally highly.
I have seen Nilu Phule's enthralling (and deeply disturbing) 'Binder' at Sahitya Sangh Mandir, Girgaon (साहित्य संघ मंदिर, गिरगाव) and therfore can imagine Moghe's acting prowess.
I would have liked seeing Moghe play Sakharam Binder or Bérenger in Eugène Ionesco's 'Rhinoceros'. My guess: He would have been quite competent if not good.
I have always enjoyed watching him in Marathi black & white cinema. Even his small role of lecherous politician-minister 'Anandrao' (आनंदराव) in 'Simhasan' (सिंहासन), 1980 has left a lasting impression on me.
Here is another example.
Eyes that are groomed on today's pervasive anorexia might be offended but look closer and you will be taken in by Moghe's infectious smile.
[Uma (उमा)-on whom I had a bit of a crush- and Shrikant Moghe 'singing' one of the best songs I have heard: 'Swapnat Rangle Mee' (स्वप्नात रंगले मी) from director Kamlakar Torne's (कमलाकर तोरणे) Marathi film 'Aamhi Jato Amuchya Gava' (आम्ही जातो अमुच्या गावा), 1968.
Music director- Sudhir Phadke (सुधीर फडके), Voice: Asha Bhosle (आशा भोसले), Sudhir Phadke
courtesy: Eros International]
Returning to Mr. Moghe's question to Mr. Tendulkar, I wish to say that there is to life both 'Sakharam Binder' and 'Tujhe Ahe Tujapashi' (तुझे आहे तुजपाशी).
And are they very different to begin with?
To revisit P L Deshpande's (पु ल देशपांडे) play 'Tujhe Ahe Tujapashi', Moghe's role in which became a huge success, from my earlier post:
"काकाजी: जाऊ द्या यार. जंगलात तर दोनच वेळा. दिवस आणि रात्र. भूक लागली की जेवायची वेळ आणि थकलो की झोपायची.
आचार्य : म्हणजे मी समजत होतो , की हा वाडा चोवीसच वर्षे मागे आहे. पण नाही , अगदी आदिमानवाच्याच काळात आहे. जंगलात राहणार्या आदिमानवानं त्यानंतर काही प्रगति केल्याचं ह्या वाड्याच्या कानावर आलेलं दिसत नाही.
काकाजी: कुणाला ठाऊक काय केलंय ते? प्रगति की अधोगति !"
(Kakaji: Let it be friend. In jungle there are just two times. When hungry it's eating time and when tired sleeping one.
Acharya: I was thinking this house was behind the times by twenty-four years. But no, it's in prehistorical period. Looks like it has not heard any progress the primitive man has made since.
Kakakji: Wonder what is it? Progress or degeneration!)
Doubts over progress or degeneration? Sakharam Binder (and Vijay Tendulkar) would nod in approval!