G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."

Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Monday, May 19, 2008

Vijay Tendulkar विजय तेंडुलकर -A Passionate Lover of Cartoons- is Dead

He was probably the only modern Marathi ‘great’ who appreciated the art of cartooning. No one else- e.g. P L Deshpande पु ल देशपांडे, Jaywant Dalwi जयवंत दळवी who were humourist themselves- came even close.

Vasant Sarwate वसंत सरवटे acknowledges the contribution of Tendulkar brothers- Vijay and his elder brother Raghunath- shaping his vision and art.

Apart from Sarwate, Tendulkar was very fond of the art of young cartoonist Abhimanyu Kulkarni अभिमन्यु कुलकर्णी. In a Marathi letter to Abhimanyu, he wrote :”…the way a good bowler bowls six good balls in an over, sometimes your cartoons are in an issue of Lokprabha लोकप्रभा…”

Like Durga Bhagwat दुर्गा भागवत, Tendulkar liked the work of Natyachhatakar Diwakar नाट्यछटाकार दिवाकर, the most under rated writer in Marathi.

I like a lot of what Tendulkar wrote but his play “Kanyadan” कन्यादान and his essays on Raj Kapoor, Baba Amte बाबा आमटे, his own father, the theatre of the absurd and the death row inmates remain my favourite.

In “Kanyadan” (Giving away of daughter in marriage), he exposes hypocrisy of upper-caste Maharashtrian middle-class.

Tendulkar was fearless the way he took on Bal Thackeray बाळ ठाकरे and other politicians without batting an eyelid. See a related post here.

I will miss you Tendulkar-sir because…

"...पोटावरच्या बेंबीचा बिनबाहुलीचा डोळा म्हणून उपयोग करत पोट पोसत-वाढवत मुरादाड आयुष्य न काढता खरे डोळे चेहर्यावर असतात याचे तुम्ही भान ठेवलेत..."

"...Instead of using bellybutton on stomach as pupil-less eye to grow-inflate tummy and lead insensitive life, you were always conscious that the real eyes were attached to the face..."

(जी ए कुलकर्णी G A Kulkarni यात्रिक (A Pilgrim) पिंगळावेळ (Owl-time) Popular Prakashan 1977).

There must be a commotion wherever Vijay Tendulkar now has gone …


Artist: Ronald Searle The New Yorker 12 November 1966

This picture has no caption. If I were to give one...

"She like Vijay Tendulkar is so beautiful but watch out for her claws!"