G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Chris Ware: "Being a cartoonist means you don’t consider yourself too fancy."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Monday, May 19, 2008
Vasant Sarwate वसंत सरवटे acknowledges the contribution of Tendulkar brothers- Vijay and his elder brother Raghunath- shaping his vision and art.
Apart from Sarwate, Tendulkar was very fond of the art of young cartoonist Abhimanyu Kulkarni अभिमन्यु कुलकर्णी. In a Marathi letter to Abhimanyu, he wrote :”…the way a good bowler bowls six good balls in an over, sometimes your cartoons are in an issue of Lokprabha लोकप्रभा…”
Like Durga Bhagwat दुर्गा भागवत, Tendulkar liked the work of Natyachhatakar Diwakar नाट्यछटाकार दिवाकर, the most under rated writer in Marathi.
I like a lot of what Tendulkar wrote but his play “Kanyadan” कन्यादान and his essays on Raj Kapoor, Baba Amte बाबा आमटे, his own father, the theatre of the absurd and the death row inmates remain my favourite.
In “Kanyadan” (Giving away of daughter in marriage), he exposes hypocrisy of upper-caste Maharashtrian middle-class.
Tendulkar was fearless the way he took on Bal Thackeray बाळ ठाकरे and other politicians without batting an eyelid. See a related post here.
I will miss you Tendulkar-sir because…
"...पोटावरच्या बेंबीचा बिनबाहुलीचा डोळा म्हणून उपयोग करत पोट पोसत-वाढवत मुरादाड आयुष्य न काढता खरे डोळे चेहर्यावर असतात याचे तुम्ही भान ठेवलेत..."
"...Instead of using bellybutton on stomach as pupil-less eye to grow-inflate tummy and lead insensitive life, you were always conscious that the real eyes were attached to the face..."
(जी ए कुलकर्णी G A Kulkarni यात्रिक (A Pilgrim) पिंगळावेळ (Owl-time) Popular Prakashan 1977).
There must be a commotion wherever Vijay Tendulkar now has gone …
Artist: Ronald Searle The New Yorker 12 November 1966
This picture has no caption. If I were to give one...
"She like Vijay Tendulkar is so beautiful but watch out for her claws!"