G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"

Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Tuesday, March 25, 2008

Without this Fag there was Almost No Marathi cinema

On March 23, 2008, I watched Mel Brook’s “To Be or Not To Be” (1983).

While watching James Haake as Sasha, I remembered brilliance of Ganpat Patil गणपत पाटील.

Next day Mr. Patil came visiting, on the front page of morning newspaper. He passed way on March 23, 2008 at Kolhapur कोल्हापूर.

Master Vinayak मास्टर विनायक onwards, Marathi cinema has given India some of the finest comic actors. Mr. Patil was one of the very best. He was a unique gift to Marathi cinema because Hindi cinema never had such a talented fag.

Ganpat Patil turned some of the most mundane scenes into the most hilarious ones by a gesture here and a dialogue there.

Leading men of Marathi cinema must be petrified by Mr. Patil's on-screen ability to make fun of any of them with so little effort.

I always envied his easy access to leading ladies of Marathi cinema. On screen, he slept next to them or slipped under the pallu of their sari without making anyone feel awkward! I thought it was all very sexy without being vulgar.

Mel Brooks says in “To Be or Not To Be”: “Without Jews, fags, and gypsies, there is no theater.

Although in real life he was no fag, without Ganpat Patil it was as if there was no Marathi cinema.

(Picture courtesy- Pudhari पुढारी March 24, 2008)