मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, March 17, 2007

Not to do with sex but snoring!

In Marathi world, snoring is not made as much fun of as it deserves. It is perhaps because far more men are victims of it than women.

I have been snoring, I think pretty horribly, for many years now. Luckily for our marriage and our budget (as explained later), my wife sleeps like a log and only the noise of my nose blowing, next only to a bad dream, can wake her up.

TRACIE ROZHON in her article “To Have, Hold and Cherish, Until Bedtime” (NYT March 11, 2007) says:

“Not since the Victorian age of starched sheets and starchy manners, builders and architects say, have there been so many orders for separate bedrooms. Or separate sleeping nooks. Or his-and-her wings.
In interviews, couples and sociologists say that often it has nothing to do with sex. More likely, it has to do with snoring. Or with children crying. Or with getting up and heading for the gym at 5:30 in the morning. Or with sending e-mail messages until well after midnight.”

Lady in the picture is surely on her way to order her own bedroom.

Artist : Dana Fradon Publication: The New Yorker 4 March 1985

In picture below, Mrs. Booth did not cure anything. Booths moved into a larger house with separate bedrooms!

Lucky me!

Artist : Helen E Hokinson Publication: The New Yorker 9 May 1936

Dark Side of the Moon

In Marathi, I hear cartoons are increasingly being referred as हास्यचित्रे “Hasyachitre”. But cartoons are not necessarily about a laugh (हास्य) or a smile or even a chuckle.

Following cartoon made me cry. Tragedy of aging.


Artist : Richard Decker Publication: The New Yorker 19 April 1958

By the way moon travel itself has come under a lot of flack of late.

I remember post 1969, moon travel was every where. ‘Forts’ children make in Maharashtra during Diwali used to have themes of Apollo mission. Ganesh festival pandals exhibited moon landing ‘scenes’. Neil Armstrong for few years was as popular as Rajesh Khanna. Experts predicted that faith in astrology would come down because moon- who plays such an important part in one’s horoscope- was soiled by a mortal man.

Resurgent Hindu and Muslim fundamentalisms were few years away. Hence, no one talked about Buzz Aldrin performing the ritual of Holy Communion on the surface of the moon.

Gerard DeGroot
author of “Dark Side of the Moon: The Magnificent Madness of the American Lunar Quest” calls moon missions “ A $35bn ego trip - an outrageous waste of money that should have been spent addressing problems on Earth. For him, Neil Armstrong’s “small step” on to the moon achieved nothing for mankind beyond a brief burst of media-generated euphoria. Its main purpose, to beat the Russians in the race to the moon, had been achieved. The astronauts were paid off and space travel gave way to other fads.”

“DeGroot, a fine writer with a real flair for storytelling, has fun with Nasa’s extravagance and its tendency to look for complex solutions where simple ones would do. For example, the agency developed a pen that would write in zero gravity - an invention that is still marketed to gadget enthusiasts. The Russians made do with pencils. And he demolishes the commonly accepted idea that Teflon and Velcro were spin-offs of the space race."