G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Sunday, September 02, 2012
"Strange gods reveal themselves in beautiful shapes, appear eternal and untouchable for the brief terms of their on-sale dates, and then vanish as swiftly as they came, generating constantly new and immediate responses to the slightest flutter of need in the public consciousness."
Shiv Visvanathan, Jan 12 2010:
"Time is a trickster, it plays pranks on you. All it needs to do is to thicken your skin, bloat your body into a puffball, and your sense of self disappears under a backstage of cosmetics.
Even Bollywood with all its magic often fails to defeat time. Icons of yesterday often fail even in terms of nostalgia. Who remembers Ranjan or Padmini or Ragini in the new generation, or even Nadira? Dev Anand appears a sad imitation of himself. Sadhana disappears seeking the aura of a Garbo-like recluse and all she receives is indifference..."
from : Rajkumar, 1964 Director: K Shankar
As a kid, watching Sadhana in 'Geeta Mera Naam', 1974, after watching her in 'Rajkumar', was learning little more about heartless, witless nature. What could happen to you in just 10 years...
Khalid Mohamed writes in his memorable essay on Raj Khosla (The Asian Age, Oct 15 2011):
"...Aware that I wasn’t getting my “serious, analytical” interview, I rounded off with film-related questions. He (Raj Khosla) answered them, too, getting particularly sentimental about Sadhana. “Now that’s a woman. God must have created her with special care,” he sighed. The woman smiled, “Raj-ji… he’s mad about his heroines, falls in love with all of them.” Not surprisingly, his women characters were infallibly steel strong. He wept a bit, then, recalling the memory of his mother..."
And then one saw her in 2010.
Sadhana (on the left) in Sept 2010
Photo courtesy: PTI
The Times of India, December 25 2010:
"Mystery surrounds the 'death' of yesteryear actress Nalini Jaywant who, neighbours say, passed away three days ago in tragically lonely circumstances at her bungalow in Chembur. Her relatives and those she had once worked with in the film industry were all unaware of the passing of the star who scaled the heights of fame in the 1940s and '50s but had turned into a complete recluse for the last many years.
Jaywant's neighbour Ajay Kapoor told TOI that the security and domestic staff in the colony saw the body being taken away in an ambulance on Tuesday. "However, by the time we got to know about it, it was all over," he says. "We heard from our staff that a man, who claimed to be a distant relative , came and took the body away. The house is locked and in complete darkness for the past three days, the servants have gone, and Naliniji's pet dogs are on the streets. We neighbours have been taking care of them."..."