G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."

Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Sunday, December 09, 2007

The Dolphin is the Cow of the Brahmaputra/ And Brahmaputra is My Mother

Asian Age November 29, 2007 reported: “Brahmaputra’s dolphins dying out”.

My first thought was a deep regret: Although I lived in Assam from 1989-1992 intermittently, I never saw a dolphin even once! My ‘affair’ with Brahmaputra is documented here.

I fell in love with river dolphins after reading Amitav Ghosh’s “The Hungry Tide”(2004).

I liked the book mainly because it has so much 'water' and water-borne objects in it.

I was raised in western Maharashtra, land of hills and stream-like rivers. Those rivers sometimes have no water, let alone hungry tides, crocodiles and dolphins!

Ghosh has portrayed romance between protagonist Piyali Roy and Irrawaddy dolphins (Orcaella brevirostris) with great sensitivity.

Sadly, the book has no pictures. As reported in the press, I hope they don't make a shoddy Hindi film based on the book and instead include pictures of Sundarbans in the next edition.

R K Sinha, a Patna-based ecologist who studies the river’s eco-system intimately says:

"The Ganga has more life in it than a forest; its biodiversity is rich. We know so little because its aquatic life is largely undocumented. The river dolphin is an indicator of the river’s health as it is at the top of the riverine food chain, like the tiger is in a forest. That’s why locals say: “Sons bachao nadi mein,/ naam kamao sadi mein”. (Save the river dolphin,/ earn name and fame.) “Sons Ganga ki gaia hain/ Ganga meri maia hain”. (The dolphin is the cow of the Ganga/ And Ganga is my mother.) … Only some 2,000 dolphins remain today…”

If intelligent dolphins come to know about what we have done to them, they might say...

Artist: Warren Miller The New Yorker 30 December 1991