G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."
Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Sunday, November 06, 2011
"Can't believe we officially have 7 billion people on Earth...yet the top news is Kim Kardashian's marriage"
"Celebrities are not appendages of our society anymore; they are the basis of our communal lives. Literature and architecture, art and politics, are at most sidelights—small, ancient alleyways down which fewer and fewer minds wander. Pop culture has long since left the word culture behind to become the primary way we understand the world."
“When we championed trash culture, we had no idea it would become the only culture.”
Marathi writer Dileep Pardeshi (दिलीप परदेशी) died recently.
He taught higher Marathi at division A on ground floor of Class 12th Science at Willingdon College, Sangli in year 1976-77.
I was in division B on first floor and I don't remember who taught Marathi to us because I bunked most Marathi periods! But I used to hear about his teaching from my friends in division A. Almost no one bunked his class.
Today I miss Pardeshi-sir and so should all those who love Marathi literature because he certainly created love for Mararthi literature among his pupils, many of them just 16-year old studying science and aiming to become engineers and doctors.
As I write this, he reminds me of a long-lost era when a 'mere' teacher of Marathi language was a hero to a large number of middle class students.
And the fact that he dressed stylishly and, if I remember correctly, kept fairly long hair added to his appeal.
A lot of his students, including many pretty girls, from classes 12th to Master of Arts doted on him. (And boy, didn't we feel jealous?)
Does this happen these days in our ad-backed celebrity hell also known as Marathi urban midddle-class popular culture? I doubt.
I have not read his single book in entirety and never thought much of him as a writer. I never tried to meet him even after I (probably) topped the college in Marathi that year beating 12th arts students.
He was a great fan of G A Kulkarni (जी ए कुलकर्णी). (Who wasn't then?)
Here is a letter by him to G A:
courtesy: "Priya Jee E Sa. Na. Vi. Vi.", 1994 (प्रिय जी. ए. स. न. वि. वि.) edited by G A Kulkarni's cousin-sister Ms. Nanda Paithankar (नंदा पैठणकर)