मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, April 08, 2022

साहस का मूर्खपणा?....Courage or Stupidity?

Senator Clay Davis:
 “...Let me tell you something, man.
My neck of the woods, it's a jungle out there.
Everybody living hand to mouth, improvising, hustlin', make do with as little as you can imagine.
Hell, that, uh, that TV show, what's that, "survivor"? Man, they want some good contestants, they need to come around westside.
Folks I know? Oh, we'd do great on that show.
Practice every damn day of our lives.
Hell, and "fear factor"? Oh, sheee-- Don't even get me started....”
(The Wire, Season 5, Episode 7)
'Landing the Treasures, or Results of the Polar Expedition!!!'
  
Artist: George Cruikshank

J W M Thompson,  review of  'I May Be Some Time: Ice and The English Imagination' by Francis Spufford:
"This remarkable book is difficult to classify exactly. Ostensibly it is a study of the exploration of the polar regions, the history of which is rich enough in drama, suffering and pathos to fill a hundred books. But to describe it as just that would not convey its quality. As Francis Spufford remarks, when people read of those fearful expeditions to the North or South Pole or in search of the Northwest Passage — terrible tests of endurance that were often fatal — the natural question to ask is, why? What impelled people to pay such a price for such intangible prizes? In seeking the answer Spufford ranges across social history, literature, economics and mythology; the result is a kind of ‘secondary’ history of a strange aspect of our national past, an imaginative account, which glows with knowledge and understanding. As the man in Tristram Shandy said, there is a Northwest Passage to the intellectual world; and Spufford, by choosing to view history from this oblique, unusual angle, has been far more successful than most of the terrestrial explorers of whom he writes.
There is a famous painting by Millais called The Northwest Passage; it was the hit of the 1874 Royal Academy spring show, and was praised by the explorer Sir George Nares for ‘influencing the spirit of the nation’. Like the same painter’s Boyhood of Raleigh, it seized the mood of patriotic pride in which the public admired British sailors and polar explorers. Shortly afterwards Nares himself set off on that century’s last attempt to reach the North Pole. The expedition was, alas, an ignominious failure. The general view however, if not expressed quite so crudely, was that failure was somehow a necessary part of the polar story; heroes were heroes, whether or not they reached their goals. In his dying moments Captain Scott wrote in his diary: ‘I do not regret this journey, which has shown that Englishmen can endure hardships, help one another, and meet death with as great a fortitude as ever in the past.’
The idea that the deaths of brave men were justified by such a patriotic demonstration took root in the popular mind, along with the affecting narrative contained in Scott’s diary; even today few people are unfamiliar with that story, and its record of the self-sacrifice of Captain Oates which has given this book its title.
It is true that there often have been dissenting voices. One sardonic view of the business found early expression in a satirical print by Cruikshank entitled Landing the Treasures, or Results of the Polar Expedition!!! This shows the triumphal march up Whitehall of a naval party who have all lost their noses through frostbite. The leading officer wears a paper nose, for dignity. The ‘treasures’ include such items as ‘Worms found in the intestines of a Seal’ and a walking stick ‘North Pole’. The whole affair is lampooned as a futile venture, only to be applauded by the ignorant mob.
More recent critical comments have fixed upon the technical shortcomings of many of the explorers, as well as noting what Spufford calls the ‘bizarre gratuitousness’ of polar exploration. The reaction to such dismissive writings is more complicated than the simple patriotic fervour which the various expeditions originally aroused: ‘The news that Scott, like Franklin before him, probably died of incompetence does not affect an attraction to his story which centres on his bearing in the face of death. Maybe it even strengthens the attraction in some ways.’That, of course, is true, but it does not disguise the really rather astonishing degree of ‘incompetence’ which exists within these epic tales of courage.
Why that should have been so is an essential part of Spufford’s study, involving such considerations as imperial assumptions of superiority, nostalgia, disdain for lesser breeds, and so on. Sir John Franklin and his party perished in a hopeless quest for the Northwest Passage, freezing or starving to death before they had gone very far, and yet the territory they were crossing supported a native population who knew perfectly well how to survive there. Because the Eskimos were not thought by superior Europeans to be worth consulting, a hundred or so men were lost. In much the same way the Scott expedition took little account of Eskimo experience. Amundsen, on the other hand, did not share these assumptions; trained by Eskimos and equipped with their dog teams, he glided smoothly to the South Pole, leaving there a Norwegian flag to greet the struggling British party, hauling their own sledges, when they finally arrived.
Spufford supplies a gruesome detail to illustrate the cultural gulf that isolated the explorers from more knowledgeable peoples. In 1897 Peary took a party of Eskimos back to the United States, where they soon sickened and died, victims of bacteria which did not exist in their antiseptic homeland. ‘The flesh was rendered off their bodies, and their skeletons, articulated with wire, were displayed in the Museum of Natural History, as further examples of Arctic fauna among the walrus tusks and the stuffed seals.’ The creation of national heroes was not, evidently, to be achieved by dealing with such lesser beings...." (italics above mine)