G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Albert Einstein: “I am content in my later years. I have kept my good humor and take neither myself nor the next person seriously.” (To P. Moos, March 30, 1950. Einstein Archives 60-587)
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Thursday, May 07, 2009
What a loss. Of Pu La and his fans!
Looks like NCERT has learnt from this.
Outlook magazine April 27 2009 reports:
"...The ncert is now trying to bring in mainstream Indian films with political and social themes to enable students to have a wider understanding of political history and emerging socio-economic scenarios...
...Of the nine chapters in the class XII political science text book, eight have a movie suggestion. The 1973 Garam Hawa is featured in the chapter on ‘Challenges of Nation Building’. The Balraj Sahni-starrer Haqeeqat (1964) based on the 1962 Sino-Indian war, which portrays the struggle of a small group of Indian soldiers, is part of ‘India’s External Relations’. The Amitabh Bachchan-blockbuster Zanjeer that depicts the struggle of an innocent police officer against the system is included in ‘Challenges of Restoration of the System’...
...The Om Puri and Naseeruddin-starrer Aakrosh, a powerful tale of exploitation and miscarriage of justice, and the Satyajit Ray classic Pather Panchali, a portrait of life rich in experience, but lived amid poverty, are under ‘Politics of Planned Development’..."
Students indeed should learn how bad any war is and I think there is no better place to start the process than watching Haqeeqat. Similarly, Aakrosh (1980) will tell them more about fairness of Indian judicial system than any thing else...
Many aspects of good Hindi cinema are highly under appreciated.
अशोक शहाणे Ashok Shahane writes
(नपेक्षा, Napeksha 2005)