G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Chris Ware: "Being a cartoonist means you don’t consider yourself too fancy."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."
Monday, April 16, 2007
I went to IIT and qualified for IIM. I worked for leading multinationals before I became disillusioned with them.
I went abroad many times each time wanting to return home more desperately.
I left Miraj, the town where I lived for first 21 years of life, with some excitement but now I realize I have ended up "on a hillside far from home under an alien sky".
CHARLES ISHERWOOD has written an excellent essay “Take a Bow, Loser, the Spotlight’s Yours” NYT April 8, 2007.
I really liked a few points he has made:
“……Behold a new face of the Broadway musical, bearing a wry comic grimace that reflects the new mood abroad in America. A country renowned — for good or ill — as the land that enshrined success as a prize to be cherished above all others has lately evinced a sneaky fascination with failure. The losers on “American Idol” are almost as famous as the winners — sometimes more so. Kicked off one contest show, a new-minted pseudo-celebrity becomes a star of the next. Paris Hilton’s very pointlessness constitutes the whole of her appeal; no one really wants her to acquire a talent………
The affection for life’s also-rans is equally strong at the moment in the more popular media. Exhibit A in the case for the country’s new love affair with flopdom would have to be “American Idol,” arguably the most influential showbiz phenomenon of the last decade. ……
Maybe this new mood enshrining failure as the new success is related to the last decade or so of dissatisfaction with the country’s ostensible political winners, and the policies they’ve pursued. But it surely reflects a population embarking on the new century with a perhaps not unhealthy dent in its self-esteem……….
But everyone of a certain age (say 30) has probably lived through a few of those startling moments when you take stock of your life as it is and wonder: How did I get here, exactly? When did the curves come that moved me away from one destiny and toward another? I guess it all must have happened during intermission.”
Artist: Richard Decker The New Yorker 13 Oct 1962