G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Tuesday, December 11, 2007
“A Special Delivery/With all the films about unplanned pregnancy this year, 'Juno' is the only one to discuss abortion.”
Its author Jennie Yabroff says:
“This may go down as the year Hollywood forgot to wear a condom. Several prominent films—"Knocked Up," "Waitress," "Bella," "Margot at the Wedding"—feature women who unexpectedly find themselves in the family way. While they react to the news with varying levels of delight and/or despair, sooner or later they all accept their condition, as though motherhood has been a fait accompli from the moment of fertilization. Then there's the 16-year-old at the heart of "Juno." After downing gallons of Sunny Delight to facilitate multiple pregnancy tests, Juno MacGuff does what most women do in her circumstances: she calls her best friend. Then she has an awkward conversation with the baby's father. But finally, she does something hardly any other pregnant character in a film has done since Roe v. Wade: she goes to an abortion clinic.
Hollywood is generally assumed to be a bastion of political liberalism, but when movie characters find themselves unintentionally pregnant, one of two things happens: they keep the baby, or they conveniently miscarry. "Juno" is the only film in recent history in which the protagonist seriously considers termination. ..”
After I read this, I asked my wife if she remembered any Hindi or Marathi film where a leading lady went for the abortion of an unwanted pregnancy.
Both of us couldn’t recall a single instance.
In Hindi films too, "they keep the baby, or they conveniently miscarry." See related entry on this subject here.
Times of India November 23, 2007 reported:
“Teen abortions rising at alarming rate:
The number of teenagers and young unmarried women going for abortions has risen sharply in Pune, sparking concern among gynaecologists over unsafe and unprotected sex…
Most of these girls and women are educated and are either students or working women…
While the members of the society said it was difficult to count the actual number of teen abortions in the city, they agreed that the number has risen sharply…”
I had read in the past how abortions among teens went up few weeks post-Navratri.
However, Times of India reported in October 2005:
“Solved: Post-Navratri abortion
It's a revolution of sorts. Social researchers waiting to dish out those cliched surveys on abortion rates after Navratris in Gujarat, are in for some disappointment. Because revellers, especially girls, are shedding inhibitions and walking up to the neighbourhood chemist asking for condoms.
And invading the market are the Cobras, Draculas, Skinless Skin — all brands of condoms from China. With the nine nights of revelry having peaked over the week-end gone by, chemists are confessing that condom sales are up by up to 50 per cent…”
Considering that Hindi films tend to have a lot of influence on Indian teens and that, like Hollywood films, they can’t show abortion, I hope they promote use of condoms to Indian teens.
Artist: Alan Dunn The New Yorker 11 January 1930