मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, October 26, 2007

Dalits & Slaves as Stock Options in Our Celebrated and Mythologized History

Two of the sorriest chapters in human history are the practices of slavery and caste.

20th century Maharashtra produced some good books on the suffering of Dalits. But more needs to be researched and told. People need to know what it was to be a Dalit even in 19th century India.

Markus Rediker has written a book “The Slave Ship” reviewed by Adam Hochschild, author of “Bury the Chains: Prophets and Rebels in the Fight to Free an Empire’s Slaves”.

.” Most spasms of cruelty in history we know about largely through the testimony of victims. It is thanks to acts of witness by survivors like Primo Levi and Alexander Solzhenitsyn, for instance, that we can begin to picture what life was like in Auschwitz and the gulag. There is no great trove of memoirs by retired concentration camp guards.

By contrast, a much more prolonged bout of suffering, the notorious Middle Passage across the Atlantic, on which more than 12 million Africans were embarked for the Americas over more than three centuries, we know about almost entirely from the perpetrators. There are few accounts of this voyage by slaves…

Like executives today, British slave merchants pressed their government for deregulation, and finally it obliged, canceling the Royal African Company’s guaranteed monopoly.

Just as corporate officers now get stock options, slave-ship officers received the extra compensation of a few “privilege” slaves they were permitted to buy, transport and sell for their own profit. Sometimes there were executive bonuses tied directly to performance, based on the number of slaves delivered.

And finally, those who succeeded in the business could seamlessly make the transition to politics, the way tycoons still do: former slave-ship captains sat in both the British House of Commons and the United States Senate (James D’Wolf of Rhode Island).

This complex tissue of normality makes one wonder what aspects of our own everyday business-as-usual people will, a century or two from now, be considered as horrendous as we think the slave trade was…

Humanly, the slave ship was the locus of unbelievable cruelty. To punish rebels, captains resorted to thumbscrews, red-hot pokers, strangling, the severing of limbs and more. Like the post of concentration-camp commandant, the job bred violence…

Violence cascaded downward from captain and officers to sailors to the enslaved. The slaves got the worst of it…”

In his own books, Adam Hochschild says:

"So rapidly were slaves worked to death, above all on the brutal sugar plantations of the Caribbean, that between 1660 and 1807, ships brought well over three times as many Africans across the ocean to British colonies as they did Europeans. And, of course, it was not just to British territories that slaves were sent. From Senegal to Virginia, Sierra Leone to Charleston, the Niger delta to Cuba, Angola to Brazil, and on dozens upon dozens of crisscrossing paths taken by thousands of vessels, the Atlantic was a vast conveyor belt to early death in the fields of an immense swath of plantations that stretched from Baltimore to Rio de Janeiro and beyond…

The world we live in -- its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence -- is shaped far less by what we celebrate and mythologize than by the painful events we try to forget.”

John Hawkyns has said:”…slavery did change the world. Millions of people were deracinated. Whole economies and empires were birthed and borne on the backs of kidnapped Africans. The development of the African continent itself was irreparably arrested as a result of the stolen legacies of its strongest people. So we are still dealing with the dreadful aftermath even today.”

If you look at our celebrated and mythologized history from the eyes of slaves and Dalits, the Pharaoh was nice only if he built small Pyramid because it meant little less flogging and torture!


Artist: James Stevenson The New Yorker 29 June 1963

Thursday, October 25, 2007

Can’t Write, Act, Draw, Play, Sing? You Haven’t Suffered Enough!

Times of India reported on October 23, 2007:
“Veteran film director Francis Ford Coppola has launched a blistering attack on three of the great actors he has directed.

The five-time Oscar winner took a surprise hit at Robert De Niro, Al Pacino and Jack Nicholson, saying he has become disappointed with them as they have grown older and richer.”

Coppola doesn’t feel that this has to do with their age: “You know, even in those days, after The Godfather, I didn't feel that those actors were ready to say, 'Let's do something else really ambitious.”

I am on the side of Coppola. Great art is often created out of hunger, suffering and insecurity.

Actor Dr. Shreeram Lagoo डाँ. श्रीराम लागू often defends his own crappy work in Hindi cinema saying he did it for money. I am not sure how much money he needed and for how long but in the process Marathi stage lost a promising artist who could have done some great and not just good work. Also, because of hamming he did in cinema, he surely lost a lot of his sensitivity as an actor.

Artist: Sam Cobean The New Yorker 17 Jan 1948

Wednesday, October 24, 2007

Mona Lisa Once Had Eyebrows But No Smile!

On October 23, 2007, newspapers world over printed Mona Lisa story very prominently.

Times of India: “Ultra-deatiled scans show Mona Lisa has eyebrows”.

Asian Age: “Scan shows Mona Lisa has lashes, eyebrows”.

Sure, but did she have a smile to begin with?


Artist: Charles Addams The New Yorker 12 April 1952

Tuesday, October 23, 2007

Pean to Potato

Business Line October 22, 2007 has published an AFP story on potato “Diplomatic tool, humbler of leaders, unifier of nations

To begin with,personal disclaimer:
Potato not just sustains lives of my son and I but gives us ultimate gastronomic pleasure. My wife though could get by without it.

I often think a writer like Dnyaneshwar (along with Tukaram, the best Marathi produced) was handicapped not because of absence of 21st century toys and gadgets in his 13th century but he didn’t know potato (introduced in India in late 16th / early 17th century), chilli (introduced in India in late 15th century) and dinosaurs (discovered in 19th century).

Imagine how more powerful metaphors and imagery Dnyaneshwar would have created if he knew potato, chilli and T-rex!

AFP story says: “Few vegetables can claim to have shaped nations, sent the economy of a country tumbling, or played a starring role in diplomatic spats. But the humble potato can….

The impact of the humble tuber stretches back centuries. The population of Ireland was cut in half in the mid 1800s after the potato crop failed and a four-year famine ensued. The then agriculture-based Irish economy crumbled and the population plummeted from eight million to four million, through deaths from hunger and emigration.
It only surpassed the four million mark in the 1990s, when Ireland entered an economic boom.The massive wave of emigration from Ireland, sparked by the potato famine, shaped politics and history not only locally but also in the United States, the destination for the vast majority of those who left…”

In 1997, Tony Blair, British Prime Minister, apologized to Ireland for the famine which caused 1 million deaths. Many Irish people believe that Britain, which controlled the land, was more than negligent -- that it in fact worsened the problem by allowing the profitable export of grain and cattle from Ireland even as the poor starved.

(Btw- I wonder if Britain ever apologized to India for the Bengal famine of 1943 that occurred in British administered Bengal. It is estimated that 1.5-3 million people died from starvation and malnutrition during the period.)

And finally, what does potato on the plate have to do with the one on couch?

“British potato farmers have marched on the houses of parliament in London to demand that the term "couch potato" be removed from the dictionary. They argued the expression - which is derived from the slang word for a television, "tube", which gave rise to "tubers" for those who spent hours hunkered down on the sofa gazing at it - gave the impression that potatoes are bad for the health and, therefore, bad for their business.”


‘You want us to go up the hill to fetch a pail of water? Not now we’re watching TV.’

The Spectator September 8, 2007

Monday, October 22, 2007

Harold Robbins, Henry Miller-All They Talk is Sex, Sex, Sex

Andrew Wilson has written a book on Harold Robbins “The Man Who Invented Sex” reviewed by TOM CARSON for NYT October 21, 2007.

“…If you’ve ever wondered just when quality literature and commercial fiction parted ways for good with a shudder, call him Harold Rubicon… The real pity is that, stamina aside, Robbins was talentless, and he made his preferred subject matter radioactive for more gifted novelists for a number of years…”

I have read just one book of Robbins-“ A Stone for Danny Fisher” but I have read a lot more of Henry Miller, whose writing became a cult.

Khushwant Singh pretends that he is obsessed with sex and may like the title-"Man Who Invented Sex"-for his future obit, in his favourite Outlook magazine. But it’s just a put-on. His writing is always sensuous but never pornographic.

In the end, for me Miller and Robbins will be remembered only for titillation.

Graham Greene: “…All the same pornography has no place in a serious book…It’s not the posture of people in bed which reveals their characters. You don’t advance the story by giving details of their favourite positions. You merely attract the reader’s attention towards very trivial points.

People who read Henry Miller, for example, expect to come upon this or that pornographic scene. It is not the characters that interest them but their own arousal. So they read on even more quickly, hoping to come across the next pornographic passage…I’ve nothing against pornographic books as such, but don’t let us call them literature.” (“The Other Man- Conversations with Graham Greene” by Marie-Francoise Allain, 1981)


Artist: Alan Dunn The New Yorker 12 June 1948

Sunday, October 21, 2007

After Getting Shot Through Eye, Buddha Still Smiles

MICHAEL KIMMELMAN (NYT October 13, 2007) commenting on attempts to destroy famous art says:

“…Thanks to its historic authority, the aura of Picasso’s “Guernica” has become like a bubble or halo that psychologically separates it from the gazing mobs, never mind that there’s no longer a glass wall. Standing before it, you can almost imagine that it has, historically speaking, passed beyond harm — that to attack it now would only make the picture a martyr, that it’s indestructible…”

Destruction of art always brings to my mind felling of the Bamyan Buddhas.

I have never been to Afghanistan but have often imagined what the sight must have been in Bamyan valley on a glorious winter morning few centuries ago. Perhaps a lot like Gomateshwara of Shravanabelgola, Karnataka who seems to be staring at us all the time, as you drive towards or away from him or even much later. He is here, there and every where.

Times of India wrote a great editorial on March 5, 2001 on the Taliban act.

“The Buddha would have been amused at the headlines describing the destruction of the Bamiyan Buddha statue by the Taliban. The Buddha cannot be blasted nor can he be bombarded. To mistake the likeness of the Buddha made by human hands and not to take part in a communion with the essence of the Buddha is to miss the message of impermanence, non-spirit and suffering of the Mighty Intellect.

The artist who visualised the Bamiyan Buddha would have first invoked, as per tradition, the moods of friendliness, compassion, sympathy and impartiality. He would not be driven by considerations of self-expression nor ideas of connoisseurship and aestheticism. The state of mind and the importance of the idea itself was all important.

All these virtues are sadly amiss in the hearts and minds of those who are breaking ancient monuments in Afghanistan as well as those who seem to be protesting about such vandalism.

In the Divyavadana, Upagupta asks Mara, who has the power of assuming shapes at will, to take the likeness of the Buddha. Upagupta bows in reverence to this figure, which shocks Mara. Upagupta says that he is not worshipping Mara but the person represented by Mara:"Just as people venerating earthen images of the undying angels do not revere the clay as such, but the immortals represented therein."

The least that can be said about the events in Afghanistan is that these are the triumph of the slave mentality, the main characteristic of which is the spirit of revenge. The ideal typical slave is incapable of forgetting, unable to love, admire or respect. Such individuals constantly impute wrong to others and perpetually blame the whole world for real and imagined wrongs. They cannot give or create.

In other words, there are Taliban-like organisations, individuals and symptoms within India which are as intolerant and brutal as their counterparts in Afghanistan. The sangh parivar for long has represented and actively promoted this negative strand in Indian society. Acharya Giriraj Kishore's reaction to the happenings in Afghanistan is indicative of the cult of hatred and mindless recriminations that the sangh parivar has promoted. Where were these self-righteous guardians of Indian heritage when the Babri Masjid was destroyed? If the statues in Bamiyan are `our' heritage, then so is the Babri Masjid. Instead, the Taliban and the sangh parivar have sought to divide the world into `us' and `them', between `friend' and `foe'. What is common to both is a very literal interpretation of Islam and Hinduism, without remotely understanding the essence of either faith.

Also, the sad state of our museums and monuments suggests that our concern for heritage is extremely superficial. What the Taliban has done in a couple of days is being systematically done slowly and steadily for the past fifty years…”


A fresco of Buddha defaced by a bullet at a temple in central Tibet

Saturday, October 20, 2007

Some Times It’s Good to Hush Up During Fall

Fall season started in US on September 23.

Falls there are very beautiful. I particularly found the one of Washington DC, on the banks of Potomac, very haunting.

Celebrated spy Kim Philby says in his autobiography “My Silent War” (1968): “…The sumac was still in flower and gave me a foretaste of the famous fall, one of the few glories of America which Americans have never exaggerated because exaggeration is impossible

In India Shishir Ritu will start on December 22 this year.

In introduction to B S Mardhekar’s first poetry book “शिशिरागम” ("Shishir's Arrival", first published by the poet at his own cost! Now part of collection -Mardhekar's Poems), S B Ranade says:

“झाङाने टाकले, हिमतुषारांनी गोंजारले, गारांनी झोङपले अणि उत्तरवार्यानें गिरक्या खात उन्हातान्हांत सोडले. आता पुन्हा तोच उत्तरवारा त्या पानांचे शुष्क सांगाडे एकत्र करीत करीत तेथे आला अणि म्हणाला- “

Mardhekar(बा. सी. मर्ढेकर) himself says in opening poem:

सूरकशाचे वातावरणी?
सळसळ पानांची? वा झरणी
खळखळ, ओहोटीचे पाणी?
किलबिल शिशिरी केविलवाणी?

कुणास ठाउक! डोळ्या पाणी
व्यर्थ आणतां; नच गार्हाणी
अर्थ; हासुनी वाचा सजणी.
भास! -- जरी हो खुपल्यावाणी.

and little later

शिशिरर्तुच्या पुनरागमे,
एकेक पान गळावया
कां लागतां मज येतसे
न कळे उगाच रडावया.



(click on the picture above to get its larger view)

Friday, October 19, 2007

Pune Roads, What a Silly Place to Walk?

Times of India on October 15, 2007 reports “Oldies walking on danger path”.

This blog first visited vulture culture of Pune motorists here.

I have been to many cities of India and the world but I have never met people as rude as motorists in Pune.

When I first went to Mumbai and attempted crossing the road at Opera House, I was overwhelmed but not scared. Cars were helping me cross and not trying to crush me to asphaltic death.

At Pune even on small roads, I feel scared as drivers seem to be rushing towards me. They follow me if I run. They seem to enjoy my panic. They make me sick.

Few years ago an old woman grabbed my hand at Deccan Gymkhana to ask my help to cross the road.

I see no hope for Pune’s old and poor unless some drastic measure are undertaken. Today the only way to beat Pune motorist is to become one!

TOI’s Gitesh Shelke reports :
“…These three accidents are not isolated cases as the city continues to register an increasing number of accidents involving senior citizens, ranging from minor injuries to fatal.

Statistics available with the city traffic police revealed that in the year 2005 as many as 24 senior citizens were killed, 19 were seriously injured and 61 sustained minor injuries in various accidents. The number of fatal accidents increased to 32 in 2006. This year so far 18 serious accidents has been registered while 61 minor accidents were reported.

This year, as many as 14 senior citizens were killed on the road, 12 sustained serious injuries while 46 sustained minor injuries in various road accidents by the end of June.

Suresh Bhoomkar, assistant commissioner of police (ACP, traffic), said that fatalities involving senior citizens usually take place while either crossing the roads or driving two/four-wheelers or while travelling in public or private vehicles.

However, records showed that majority of the citizens have been killed while crossing or walking on the roads. Sangramsinh Nishandar, ACP, traffic, pointed out that motorists, especially two-wheeler riders were insensitive towards the elderly…”

When Pune motorists watch a pedestrian crossing, they say “What a Silly Place to Walk”.


Artist: Anatol Kovarsky The New Yorker 10 May 1947

Females are always cheaper. Even on Durgashtami.

Times of India’s Kounteya Sinha reported on October 12, 2007:
“…Over 40% of women in a nationwide survey reported being beaten by their husbands at some point of time. More shockingly, around 54% of the women surveyed thought that such violence was justified on one ground or the other.

According to India’s most comprehensive National Family Health Survey-III, which interviewed 1.25 lakh women in 28 states and the national capital during 2005-06, 41% of women justified wife beating if it was because they showed disrespect towards their in-laws while 35% women were OK with being brutally assaulted by their husbands if they neglected household chores or their children.

Not surprisingly then, 51% of the 75,000 men interviewed didn’t find anything wrong with assaulting their wives. “

Older the civilization, more the hypocrisy? I feel so as we celebrate Durgashtami today.


Artist: Perry Barlow The New Yorker 5 June 1948

Thursday, October 18, 2007

Lost in Translation: Shivaji, Tolstoy and Hemingway.

Newsweek October 15, 2007 reports that two new English translations of Leo Tolstoy’s “War and Peace “ are being published.

Malcolm Jones says: “Over its lifetime, the book has become a yardstick for quality—and sometimes just a yardstick. "As long as 'War and Peace' ..." is a comparison understood even by people who have never cracked its covers”.

“War and Peace” is arguably the greatest novel ever written.

Sane-guruji has spoken at length about enriching Marathi by getting world’s best in it through translation. He himself translated a few great books into Marathi (See at the bottom of this post selection of his translation work). But Marathi has remained quite poor when you count the number of great books it still doesn’t have.

I bought “War and Peace” (translator not named, Jainco Publishers, New Delhi) in July 2007, cracked its covers alright but never went beyond page two! I remember writer Sunita Deshpande सुनीता देशपांडे writing to another writer G A Kulkarni जी ए कुलकर्णी in a letter that she finished reading it. It sounded more like a relief than a celebration! I think G A himself never read it! His tastes in literature were often arcane.

Translators of two versions are now fighting over quality of their translation. One says: "… all the previous translations left things out and got things wrong.”
Translation is quite a tricky art.

Vilas Sarang has written at length how poorly P L Deshpande translated Ernest Hemingway’s “The Old Man and the Sea” into Marathi. Pu La should have known better as he himself, quite delightfully, has spoken about difficulties of translating many words and concepts from Marathi into English.

The best example of importance of quality of translation has come from D G Godse द ग गोडसे. He wrote an essay “...For me, (my) land’s defence (is) self-essential” (....इं कसरा मुहफिजते वतन ख़ुद लाज़िम) now part of his book “Shakti Saushthav” (Popular Prakashan 1972).

The essay is about a famous letter in Farsi sent by Shivaji (scribe-Nil Prabhu Munshi) to Aurangzeb circa 1664-65.

Godse proves how badly it has been translated by number of historians like Jadunath Sarkar, Riyasatkar Sardesai, Babasaheb Purandare. They have failed us. They deprived us of a great thing of beauty. The letter has such literary qualities that it needed great sensitivity and deep knowledge of Farsi to be translated. Some Farsi experts even claim that Shivaji has quoted few lines from old Farsi poetry, most likely from Shahnama.

With the help of Farsi experts, Godse then attempts a translation of the letter from Farsi into Marathi.

When I read it, my respect for Shivaji went up several notches. He indeed is a worthy successor of Ashok and Akbar.

Loss was entirely mine that the letter was not taught to me in my school. It’s my poverty that I still don’t read Farsi. How can I even attempt to fully appreciate the work of Shivaji unless every historian shows sensitivity of Godse?


Artist: Barney Tobey The New Yorker 20 Apr 1963

(Newspaper strike in US began on Dec 8, 1962 and lasted for 114 days. Obviously people like me cannot finish "War and Peace" in those many days!)

Selection of Sane-guruji's translation work: Meek Heritage,The Mayor of Casterbridge, Leo Tolstoy: Resurrection, The Black Tulip, Les Miserables, The Cloister and the Hearth,Tolstoy-What Is Art?, The Story of Philosophy