Artist: James Stevenson, The New Yorker, March 2017
Launched on Nov 29 2006, now 2,500+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"... श्रीमंत बाळासाहेब पंतप्रतिनिधी : "बहुश्रुतता असल्याशिवाय सुसंस्कृतता नाही"
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Tuesday, September 06, 2022
Cogito, Ergo Sum: What About Helena Jans, René Descartes' Maid
Artist: James Stevenson, The New Yorker, March 2017
Saturday, September 03, 2022
पिवळीच मी पाकोळी की...Thistle in a Field
हे अतिशय सुंदर, १८७५ सालचे, वाळवंटातील झुडूप आणि त्यावरील फुल बघून मला " रंग रंगुल्या सान सानुल्या गवत फुला रे गवत फुला" आठवत नाही....
ना आठवते "वन सर्व सुगंधित झाले/ मन माझे मोहुन गेले - कितीतरी"...
तर आठवते दुर्गाबाईंचे "पिवळीच मी पाकोळी की" (निसर्गोत्सव, 1996)......
Wednesday, August 31, 2022
Masked Beauty At a Ball, Immanuel Kant and Saul Steinberg
Arthur Schopenhauer assessing Immanuel Kant’s moral philosophy:
“I should liken Kant to a man at a ball, who all evening has been carrying on a love affair with a masked beauty in the vain hope of making a conquest, when at last she throws off her mask and reveals herself to be his wife”
(On the Basis of Morality)
Artist: Saul Steinberg
A painful misunderstanding- 'No, I'm not a lioness, I'm a bald lion'
Drawing from the satirical magazine 'Bertoldo' (Editor: Giovannino Guareschi) 1938
Saturday, August 27, 2022
Old Sweet Songs of Raja Ravi Varma and Zula Kenyon
below:
'Love's Old Sweet Song', calendar illustration, 1924 by Zula Kenyon
bottom:
Lady in the Moon Light, 1889 by Raja Ravi Varma,
A lady sitting alone in the moon light. A classic painting
with extraordinary light effects. Female figure in the picture sometimes
interprets as a Yakshi also. (Read my earlier post on this image here.)
Thursday, August 25, 2022
आर्ट का जाहिरात... Leonetto Cappiello
फक्त खालील चित्र पाहिल्यावर मला ती केवळ कला भासली....
काही क्षणात पूर्ण चित्र डोळ्यासमोर आले...
Artist : Leonetto Cappiello (1875-1942)
Tuesday, August 23, 2022
Saturday, August 20, 2022
No Wonder You Could Get Tickets: One Caption, Three Cartoons
तस असेल तर लक्षात ठेवा: No wonder you could get tickets
Artist: Frank Cotham, The New Yorker, Nov 28 2005
Artist: Leo Cullum (1942-2010), The New Yorker, Nov 28 2005
Artist: Mick Stevens, The New Yorker, Nov 28 2005
Wednesday, August 17, 2022
Dali's Beach....Are We There Yet?
"...Dalí's masterpiece and, I believe, the greatest painting of the 20th century is The Persistence of Memory, a tiny painting not much larger than the postcard version, containing the age of Freud, Kafka and Einstein in its image of soft watches, an embryo and a beach of fused sand. The ghost of Freud presides over the uterine fantasies that set the stage for the adult traumas to come, while insects incarnate the self-loathing of Kafka's Metamorphosis and its hero turned into a beetle. The soft watches belong to a realm where clock time is no longer valid and relativity rules in Einstein's self-warping continuum.
What monster would grow from this sleeping embryo? It may be the long eyelashes, but there is something feminine and almost coquettish about this little figure, and I see the painting as the 20th century's Mona Lisa, a psychoanalytic take on the mysterious Gioconda smile. If the Mona Lisa, as someone said, looks as if she has just dined on her husband, then Dalí's embryo looks as if she dreams of feasting on her mother..."
Artist: Salvador Dali, 'The Persistence of Memory', 1931 & David Sipress, The New Yorker, 2007
Also see my earlier post dated Sept 26 2010.












