मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, December 18, 2010

What will be the legacy of Dr. M Singh?

T N Ninan: So the country is in a mess, our institutions stand tarnished in the public eye, and the government faces a credibility crisis. People are right to be both disillusioned and worried about where matters are headed. The transition from unreal optimism to cynical gloom in just a few weeks is breathtaking. (Business Standard, December 18 2010)

I am afraid Dr. Singh is going to go down in history as just another ruler of India and she has had many so far.

He is no Ashoka, no Akbar, no Krishnadevaraya, no Shivaji, no Ranjit Singh, no Shahu Maharaj IV, no J L Nehru. Not even close.

His final months in the top office are being marked by rampant corruption and crony capitalism all around us.

This easily is one of the darkest periods in India's history since her partition. On par with Mahatma Gandhi's assasination, Chinese invasion, the Emergency and the Babri Masjid demolition.

It will be hard to teach our young about ethics again.

I have no sympathy for Dr. Singh. He himself is squeaky clean sounds more and more like Nero on the fiddle.

In many ways, this is much like the journey of his mentor the late P. V. Narasimha Rao. Mr. Rao- who now has become persona non grata to the Congress* and Dr. Singh has stopped being grateful to him in public- could have done a lot more to prevent the destruction of the mosque or atleast should have quit the office taking the full responsibility.

* p.s. December 31 2010

The Times of India on Dec 30 2010:

"In a rare move in politics, the Congress party has published its own history...Through it, the party for the first time officially acknowledges P V Narasimha Rao's political courage in enabling the economic reforms that gave India a new lease of life and transformed our lives..."



Artist: Hemant Morparia
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