Launched on Nov 29 2006, now 2,500+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"... श्रीमंत बाळासाहेब पंतप्रतिनिधी : "बहुश्रुतता असल्याशिवाय सुसंस्कृतता नाही"
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Friday, January 14, 2022
Monday, January 10, 2022
Ahalya and Valmiki, Ovid and Natural World
Also see another great picture on the subject.
Jonathan Jones of The Guardian wrote:
"Actaeon accidentally saw the goddess Diana naked when he was out hunting, in a classical myth that Titian took from Ovid’s Metamorphoses. She punished him by turning him into a stag and he was torn to pieces by his own hounds. Titian paints this moment of transformation and horror as a sensual melancholy feast of autumnal colour. Actaeon is still part-human as the dogs take him. The landscape is equally ambiguous – a dappled yellow and brown woodland given a texture like matted leaves by rich, freely expressive brushwork. Diana is much more clearly formed as if only she was entirely real. The world of mortals is ever-shifting, our knowledge of ourselves and nature unreliable, says Titian in this late, evocatively unfinished masterpiece."
Thursday, January 06, 2022
मी एक स्नोमॅन, हा एक स्नोमॅन...Charles Addams, B S Mardhekar, Snowman and Ants
"मी एक मुंगी, हा एक मुंगी,
तो एक मुंगी, तूं एक मुंगी,
ही एक मुंगी, ती एक मुंगी,
पांच एथल्या पांच फिरंगी;
... "
(१६, पृष्ठ ८८, मर्ढेकरांची कविता, १९५९-१९७७)
"मी एक स्नोमॅन, हा एक स्नोमॅन,
तो एक स्नोमॅन, तूं एक स्नोमॅन,
ही एक स्नोमॅन, ती एक स्नोमॅन,
पांच एथले, पांच फिरंगी;
...."
Artist: Charles Addams, Jan 1972, The New Yorker
Monday, January 03, 2022
My Mother's Memory and Saul Steinberg's Picture
माझी आई ज्योती गोपाळ कुलकर्णी (शकुंतला वासुदेव भाटे) , सोळा वर्षांपूर्वी, जानेवारी ३ २००६रोजी वारली.... तिची आठवण...
Saul Steinberg, The New Yorker, November 1968



