मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, December 31, 2021

American Detective Novels and Reinhard Heydrich


Simon Sebag Montefiore:
“...Heydrich was born of musical parents in the city of Halle, near Leipzig, in 1904. His father was a Wagnerian opera singer and the respected headmaster of the Halle Musical Conservatory while his mother, who was extremely strict and regularly beat her son, was a talented pianist. Young Heydrich was never popular among his peers, who nicknamed him Moses because of (untrue) rumors that he had Jewish ancestry.
Deeply sensitive about these rumors, in his teens Heydrich came to believe in the supposed inherent superiority of the Germanic people, but he was totally uninvolved in politics until a social-professional scandal ended his naval career. After the First World War, Heydrich joined the navy where the ambitious but sensitive officer who played violin beautifully was teased for his supposed Jewish origins. He had just become engaged to Lina Von Osten when he was cashiered from the navy for a simultaneous sexual relationship with another woman. In 1931, at age twenty-seven, he joined the SS, impressing Heinrich Himmler during his interview with his knowledge of secret police techniques derived from his obsessional reading of American detective novels and police procedures. In 1933 he was promoted to brigadier general and given the responsibility of setting up the SD, the SS security service, where he identified the administrative talents of Adolf Eichmann, who became the Jewish expert of the SS....”

(‘Titans of History’, 2012)




"The German editions have a Weimar tinge: cocktail party meets official injustice. Chandler spent some time in Germany as a young man, then later in life joined up with the Canadian army (B.C. unit) to fight the Germans in WWI. So, you know, it was a complicated relationship."

(from
‘The Long Goodbye: The 49 Best Covers from Around the World’: Beautiful and Bizarre Visions of Raymond Chandler's Classic, March 26, 2018 By Dwyer Murphy)

The Long Goodbye was first published in 1953, long after  Himmler and Heydrich were dead. It is used only for illustration.



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