मिठू मिठू पोपट....Parrot, Parrot Everywhere

It was widely reported that the 900-year-old 'Parrot Lady' sculpture from Khajuraho could soon find a place at the Archaeological Survey of India (ASI) Museum. The sandstone piece was returned by Canadian Prime Minister Stephen Harper to Prime Minister Narendra Modi during his visit to Canada in April.

 

courtesy: The Amar Chitra Katha Studio

A Parrot Perched on a Mango Tree; a Ram Tethered Below, ca. 1630-1670

courtesy: The Metropolitan Museum of Art and Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad

त्याच्या चित्रांत विश्वाचे हुंकार ऐकू येतात...Je Suis Naji al-Ali

Today, on August 29 1987, Naji al-Ali, one of the greatest political cartoonists was shot dead

Paraphrasing G A Kulkarni (जी ए कुलकर्णी)… 

"...चित्र म्हणजे निव्वळ हातचा वारा; त्यांना रक्त नाही की मांस नाही, पण एखाद्या चित्रकाराचे आत्मसमर्पण मनावर सतत आदळत राहिले तर त्याच्या रक्ताची अमर नक्षत्रे होतात, त्याच्या चित्रांत विश्वाचे हुंकार ऐकू येतात... "

This blog has already paid tributes to Mr. Ali on July 26 2009 here and another brilliant artist Ali Farzat on September 3 2011 here.

courtesy: FB page and Y. Taha

विशुद्ध आनंददायक असा खेळ...World Cup Philosophy

Today August 23 2015 is 97th Birth Anniversary of  Vinda Karandikar (विंदा करंदीकर).

विंदा करंदीकर: 

"…  पण हे लिखाण करताना माझ्या या दुसऱ्या बालपणात मी एक विशुद्ध आनंददायक  असा खेळ  आहे एवढेच मी समाजत होतो… "
 (माझे मनोगत, अष्टदर्शने, 2003)

This post is largely based on my earlier post dated March 15 2010.

When I finished reading -‘Ashtadarshane’ (अष्टदर्शने), 2003, I wrote a letter to Lalit (ललित) and sent a copy of that to (now) the late Vinda Karandikar.

Lalit published it and Vinda wrote back thanking me for it.

This is what I had said in the letter.

In Marathi, the late M P Rege (मे. पुं. रेगे) has written a lot on the subject of philosophy using formal prose. It sounds tough even for the writer, let alone reader!

But writing on philosophy, in any other form, is even tougher for the writer.

Particularly, if one wishes to deploy quality humor or poetry. The way Woody Allen does in English.

But for the reader, it's easier.

Unfortunately, in Marathi, I have hardly come across such writings.

I remember one example from P L Deshpande's (पु ल देशपांडे) book.

Pu La imagines that the famous argument between sage Vasishta and sage Vishwamitra- 'Who is Brahmin?' (One: Brahmin knows Brahma, The other: the one who knows Brahma is Brahmin)- took place while both were chewing betel leaf (paans)! Vasant Sarwate (वसंत सरवटे) has drawn a beautiful illustration for it.

It reminded me of Mel Brooks' quote:

"Nietzsche whispers to you: ‘Without audacity there is no greatness.’ Freud whispers to you: ‘Why must there be greatness?’ That fight’s still going on. And you don’t understand either one, because they’re both whispering in German."

Frankly, other than Charvak-darshan (चार्वाक), there is little information in Vinda's book that is not there in Will Durant's 'The story of philosophy' (1926). However, Vinda's usage of abhang (अभंग) format to write on the subject of philosophy was at the edge of innovation.

Vinda had good sense of humour as is obvious from many of his poems. Vasant Sarwate too vouches for it.

I hope, some day, his 'Ashtadarshane' ushers in Marathi's Woody Allen.

In the moth of June 2015, I came across an excellent example (one of the best really) of how creatively philosophers and their philosophy can be presented.

 World Cup Philosophy: Germany vs France

Courtesy: Existential Comics

There are four such frames on the website. The above one is the second frame. One of the picture is reproduced below:

"Camus has convinced several of the Germans that the game is fundamentally absurd. And there is no inherent difference between winning and losing. They are just lying on the pitch in despair."

Or see the one below:

 "However, not much action since then, as the Germans seem to be mostly content to kick the ball back and forth endlessly."....and one of the dribblers is Kant!


Every picture is a gem and teaches as well as amuses a lot.

काय खर्ज लागतो एकेक बेडकाचा...Mandookavani

काकाजी:
"… आपल्या देवासला पावसात हजारो बेडकं ओरडतात मेंडकी-रोडवर, ओहोहोहो! काय खर्ज लागतो एकेक बेडकाचा- असं वाटतं, की  कोणी दशग्रंथी ब्राह्मण वेदपठण करून राहिले आहेत बेटे ! काय ?"
(पु ल देशपांडे, 'तुझें आहें तुजपाशी', 1957)

[Kakaji:

"...in our Devas thousands of frogs croak in the rain on Mendaki road, oh..oh..oh! What deep (bass) sound each one creates- one feels, it's as if  Brahmins with the command of the ten great books are chanting Vedas ! What?"

(P. L. Deshpande, "Tujhe Ahe Tujapashi"]

Mohit M. Rao reported for The Hindu in April 2015:

"...In a first-of-its-kind initiative in the country, research spanning a decade has resulted in a comprehensive audio database titled ‘Mandookavani’ (translates to ‘speech of the frog’ in Sanskrit) which contains voice samplings of about 70 of these amphibian species.

The 30-minute CD contains a brief introduction to the frog species, followed by a 10 to 30 second voice sample. As an added bonus, the CD also features a one-minute ‘symphony’ using these samples. Researchers Ramya Badrinath, Seshadri K.S., Ramit Singal and Gururaja K.V. independently recorded the samplings during their research in amphibian behaviour and ecology in the Western Ghats.

The lush forests and innumerable streams of the region house 192 frog and toad species – or, around half of the amphibian diversity of the whole country – each of whom have their own distinctive voice. Of the 70 in the CD, 58 are endemic species..."

I have downloaded Frog Find, an Android Apps and I just love listening to various sounds of Mandookavani. 

 courtesy: gubbilabs

Nothing...I Don't Mean Vagina!

The Epic of Gilgamesh (18th century BC-), Translated by Andrew George, 1999: 

"Ever the river has risen and brought us the flood,
the mayfly floating on the water.
On the face of the sun its countenance gazes,
then all of a sudden nothing is there!" (X 315) 

 

 Anthony Gottlieb:

"...One might think that science will eventually be able to explain the matter (nothing); certainly many cosmologists have said so. But there is an eternal snag, because any answer to the question of why there is something rather than nothing will end up chasing its own tail. Any law of nature or mathematics, any purported set of physical conditions, indeed any fact at all counts as “something”, and is thus itself part of what is supposed to be explained. Every explanation must start somewhere. But there is not, and never could be, anywhere left for this one to start..."

Blaise Pascal, Pensées, The Misery of Man Without God :

“Man is equally incapable of seeing the nothingness from which he emerges and the infinity

in which he is engulfed.”

 

courtesy: FB page of Dangerous Minds

Anthony Gottlieb: 

"...Shakespeare, too, made much merry play with the word “nothing”, and not only in “Much Ado”. Whether or not something may come of nothing is a recurring theme in “King Lear”, and there is a particularly convoluted verbal joust between Hamlet and Ophelia—some of which escapes contemporary readers unaware that in Elizabethan slang “nothing” can mean “vagina”..."