मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, August 20, 2015

काय खर्ज लागतो एकेक बेडकाचा...Mandookavani

काकाजी:
"… आपल्या देवासला पावसात हजारो बेडकं ओरडतात मेंडकी-रोडवर, ओहोहोहो! काय खर्ज लागतो एकेक बेडकाचा- असं वाटतं, की  कोणी दशग्रंथी ब्राह्मण वेदपठण करून राहिले आहेत बेटे ! काय ?"
(पु ल देशपांडे, 'तुझें आहें तुजपाशी', 1957)

[Kakaji:

"...in our Devas thousands of frogs croak in the rain on Mendaki road, oh..oh..oh! What deep (bass) sound each one creates- one feels, it's as if  Brahmins with the command of the ten great books are chanting Vedas ! What?"

(P. L. Deshpande, "Tujhe Ahe Tujapashi"]



Mohit M. Rao reported for The Hindu in April 2015:

"...In a first-of-its-kind initiative in the country, research spanning a decade has resulted in a comprehensive audio database titled ‘Mandookavani’ (translates to ‘speech of the frog’ in Sanskrit) which contains voice samplings of about 70 of these amphibian species.

The 30-minute CD contains a brief introduction to the frog species, followed by a 10 to 30 second voice sample. As an added bonus, the CD also features a one-minute ‘symphony’ using these samples. Researchers Ramya Badrinath, Seshadri K.S., Ramit Singal and Gururaja K.V. independently recorded the samplings during their research in amphibian behaviour and ecology in the Western Ghats.

The lush forests and innumerable streams of the region house 192 frog and toad species – or, around half of the amphibian diversity of the whole country – each of whom have their own distinctive voice. Of the 70 in the CD, 58 are endemic species..."

I have downloaded Frog Find, an Android Apps and I just love listening to various sounds of Mandookavani. 


 courtesy: gubbilabs
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