मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Showing posts with label P C Vey. Show all posts
Showing posts with label P C Vey. Show all posts

Thursday, September 24, 2026

P C Vey: Unexamined Life, Doomsday Clock Not Plugged In and The Bison Are on the Move....

 Great P C Vey has died on September 17 2026 at the age of 70.

Peter was a gag cartoonist’s cartoonist. His overriding aim was to be funny, and he rarely missed. If a deeper meaning emerged, so much the better, but funny was his lodestar. 

I have many of his cartoons stored on my PC hard disk.  He was for me as good as Leo Cullum. 

They share that wonderful New Yorker ability to make a cartoon look almost casually drawn while concealing quite a lot of intellectual machinery underneath it. Cullum often begins with an absurd social observation and pushes it into an unexpected direction. Vey seems more often to begin with an idea and then find the absurd situation that will expose it.

I wish to share a couple of cartoons of Vey.

John Gray, "Straw Dogs: Thoughts on Humans and Other Animals", 2002;

"....Socrates was able to believe that the examined life is best because he thought the true and the good were one and the same: there is a changeless reality beyond the visible world, and it is perfect. When humans live the unexamined life they run after illusions. They spend their lives searching for pleasure or fleeing pain, both of which are bound to pass away. True fulfilment lies in changeless things. An examined life is best because it leads us into eternity.

We need not doubt the reality of truth to reject this Socratic faith. Human knowledge is one thing, human well-being another. There is no predetermined harmony between the two. The examined life may not be worth living...."