You can tell, I am drunk on just concluded Ashes.
They say when a team fields a position of third man- and not forward short leg or gully- in cricket field, they are defending.
MICHAEL J. YBARRA has reviewed "The Third Man Factor" By John Geiger in Wall Street Journal dated August 23 2009. Read it here.
He says: "...Accounts of experiencing a supportive presence in extreme situations—sometimes called the "third-man phenomenon"—are common in mountaineering literature...
...The Third Man represents a real and potent force for survival," Mr. Geiger writes, "and the ability to access this power is a factor, perhaps the most important factor, in determining who will succeed against seemingly insurmountable odds, and who will not." Mr. Geiger, however, is at a loss to explain why some can access this power and others can't...
..."Imagine the impact on our lives if we could learn to access this feeling at will," he says. "There could be no loneliness with so constant a companion. There could be no stress in life that we would ever again have to confront alone." In the meantime, we have Facebook."
Has any one given better expression to the phenomenon of "The Third Man" than saint-poet Tukaram तुकाराम?
"जेथे जातो तेथे तू माझा सांगाती । चालविसी हाती धरूनिया ॥१॥
चालो वाटे आम्ही तुझा चि आधार । चालविसी भार सवे माझा ॥धॄ॥"
"Wherever I go, Thou art my companion । Having taken me by the hand Thou movest me ।।
I go alone depending solely on Thee । Thou bearest too my burdens।।"
Read the complete poem / abhanga here.
Millions and millions of poor and downtrodden in India have succeeded against seemingly insurmountable odds over centuries. For them, life is a bitch but they are not bitter...
Why?
They are being helped by The Third Man.
Let my Facebook prosper or perish but hope my Vithoba never leaves my side...
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
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