मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Tuesday, May 10, 2016

1857: Ambala and Lahore Had Everything Important to Communicate

India's First War of Independence, the Great Rebellion, the Indian Mutiny, or the Sepoy Mutiny began this day, May 10, 159 years ago. 


Henry David Thoreau:

“We are in great haste to construct a magnetic telegraph from Maine to Texas but Maine and Texas, it may be, have nothing important to communicate."

Christopher Hitchens:

“...Marx's appreciation of the laws of unintended consequence, and his disdain for superficial moralism, also allowed him to see that there was more to the British presence in India than met the eye. No doubt the aim of the East India Company had been the subordination of Indian markets and Indian labour for selfish ends, but this did not alter the fact that capitalism was also transforming the subcontinent in what might be called a dynamic way. And he was clear-eyed about the alternatives. India, he pointed out, had always been subjugated by outsiders. "The question is not whether the English had a right to conquer India, but whether we are to prefer India conquered by the Turk, by the Persian, by the Russian, to India conquered by the Briton." If the conqueror was to be the country that pioneered the industrial revolution, he added, then India would benefit by the introduction of four new factors that would tend towards nation building. These were the electric telegraph for communications, steamships for rapid contact with the outside world, railways for the movement of people and products, and "the free press, introduced for the first time to Asiatic society, and managed principally by the common offspring of Hindus and Europeans". His insight into the Janus-faced nature of the Anglo-Indian relationship, and of the potential this afforded for a future independence, may be one of the reasons why Marxism still remains a stronger force in India than in most other societies...”

Saul David writes in  'The Indian Mutiny, 1857', 2002 in the chapter titled ‘The Electric Telegraph has saved us’:


"...By enabling the authorities at Lahore, in the words of one senior official, to ‘disarm the native troops before they had received one word’ of the uprisings at Meerut and Delhi, the telegraph messages played a key role in the preservation of British India. ‘The Electric Telegraph has saved us,’ wrote Donald MacLeod, the Financial Commissioner of the Punjab. He was right. If Lahore had fallen to the rebels, the rest of the Punjab would probably have followed suit. And if the Punjab — where the majority of European troops were stationed — had been lost, British India might not have endured. As it was, its survival was in the balance for many months to come..."

 



 Artist: Helen E. Hokinson, The New Yorker, April 1 1933

Sunday, May 08, 2016

मदर्स डे ला गांधारीची तक्रार...Gandhari's Complaint on Mother's Day

Today May 8 2016 is Mother's Day

Bruno Bettelheim:

“I’ve spent my whole life working with children whose lives have been destroyed because their mothers hated them … Which demonstrates that there is no maternal instinct – of course there isn’t … “

I often read a common complaint, particularly in US, how kids don't call even on Mother's Day.

Wikipedia informs: "Gandhari was an ardent worshiper of Lord Shiva and a student of Durvasa and various versions of the Mahabharatha state that she was blessed by the lord himself to have 100 children."

I wonder how many of her kids called on her on Mother's Day...


Artist: Christopher Weyant, The New Yorker, May 2015

Thursday, May 05, 2016

Distracted Madonna


Heather Havrilesky:
“...Let's see, so the digital revolution led us all to this: a gigantic, commercial, high school reunion/mall filthy with insipid tabloid trivia, populated by perpetually distracted, texting, tweeting demi-humans. Yes, the information age truly is every bit as glorious and special as everyone predicted it would be!..

… And don't believe the hype about a whole new generation of effective multitaskers, either. "Most multitaskers think that they're brilliant at multitasking," says Stanford professor Clifford Nass. But "it turns out that multitaskers are terrible at nearly every aspect of multitasking."

Even Sherry Turkle, director of MIT's Initiative on Technology and Self, confesses that a plugged-in state doesn't necessarily make her life more satisfying or more productive. "I've been busy all day, and I haven't thought about anything hard," Turkle says. "I mean, the point of it is to be our most creative selves, not to distract ourselves to death."...”


For over a thousand years, through the Byzantine, Medieval and Early Renaissance periods the Madonna and Child was the most often produced pictorial artwork. 




'Madonna Litta',c 1490  by Leonardo da Vinci

courtesy: Wikipedia

                                           
Artist: Tigran Tsitoghdzyan (1976-)

courtesy: the artist and the Daily Mail, UK

Monday, May 02, 2016

Makes You Kind of Proud to be a Goan!...Mario Miranda @90

Today May 2 2016 is 90th birth anniversary of Mario Miranda

Mr. Miranda has appeared on this blog twice earlier, on December 12 2011 and December 24 2011. He had died on December 11 2011.

As said earlier, Wikipedia claims Mr. MM considered Ronald Searle (1920-2011) to be his mentor (The mentor died on December 30 same year).

Now, I feel MM was also inspired by 'naughty' great Peter Arno (1904-1968).

Artist: Peter Arno


"Untitled 189", Artist: Mario Miranda, 1996 (reproduced from Business Standard website)

When you look at the picture above, sure you notice "Daily Noise" headline "New Ministry Formed" and you get the joke how the businessman is disappointed that he now has no 'his man' inside and that's all he cares about the latest political development.

But above all you notice Miss. Fonseca, her big eyes, round face, small waist and ample bosom. At least I surely did whenever I looked at MM's pictures.

Now see a picture drawn by a fellow Goan, the late Dinanath Dalal (दीनानाथ दलाल)- who also drew cartoons once.


Artist: Dinanath Dalal, Diwali 1970

Now consider some of the beauties drawn by another Goan: the late Raghuvir Mulgaonkar ( रघुवीर मुळगावकर). For instance this one, drawn for the cover of Marathi magazine 'Vangmay-shobha' (वाङ्मय शोभा) dated April 1951.



So if you are from Goa, these artists should kind of make you proud to be a Goan...as illustrated by Peter Arno....

Artist: Peter Arno, The New Yorker, September 10 1960