It was widely reported that the 900-year-old 'Parrot Lady' sculpture from Khajuraho could soon find a place at the Archaeological Survey of India (ASI) Museum. The sandstone piece was returned by Canadian Prime Minister Stephen Harper to Prime Minister Narendra Modi during his visit to Canada in April.
Launched on Nov 29 2006, now 2,500+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"... श्रीमंत बाळासाहेब पंतप्रतिनिधी : "बहुश्रुतता असल्याशिवाय सुसंस्कृतता नाही"
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Wednesday, September 02, 2015
मिठू मिठू पोपट....Parrot, Parrot Everywhere
It was widely reported that the 900-year-old 'Parrot Lady' sculpture from Khajuraho could soon find a place at the Archaeological Survey of India (ASI) Museum. The sandstone piece was returned by Canadian Prime Minister Stephen Harper to Prime Minister Narendra Modi during his visit to Canada in April.
Saturday, August 29, 2015
त्याच्या चित्रांत विश्वाचे हुंकार ऐकू येतात...Je Suis Naji al-Ali
Paraphrasing G A Kulkarni (जी ए कुलकर्णी)…
"...चित्र म्हणजे निव्वळ हातचा वारा; त्यांना रक्त नाही की मांस नाही, पण एखाद्या चित्रकाराचे आत्मसमर्पण मनावर सतत आदळत राहिले तर त्याच्या रक्ताची अमर नक्षत्रे होतात, त्याच्या चित्रांत विश्वाचे हुंकार ऐकू येतात... "
This blog has already paid tributes to Mr. Ali on July 26 2009 here and another brilliant artist Ali Farzat on September 3 2011 here.
Sunday, August 23, 2015
विशुद्ध आनंददायक असा खेळ...World Cup Philosophy
विंदा करंदीकर:
"… पण हे लिखाण करताना माझ्या या दुसऱ्या बालपणात मी एक विशुद्ध आनंददायक असा खेळ आहे एवढेच मी समाजत होतो… "
(माझे मनोगत, अष्टदर्शने, 2003)
This post is largely based on my earlier post dated March 15 2010.
When I finished reading -‘Ashtadarshane’ (अष्टदर्शने), 2003, I wrote a letter to Lalit (ललित) and sent a copy of that to (now) the late Vinda Karandikar.
Lalit published it and Vinda wrote back thanking me for it.
This is what I had said in the letter.
In Marathi, the late M P Rege (मे. पुं. रेगे) has written a lot on the subject of philosophy using formal prose. It sounds tough even for the writer, let alone reader!
But writing on philosophy, in any other form, is even tougher for the writer.
Particularly, if one wishes to deploy quality humor or poetry. The way Woody Allen does in English.
But for the reader, it's easier.
Unfortunately, in Marathi, I have hardly come across such writings.
I remember one example from P L Deshpande's (पु ल देशपांडे) book.
Pu La imagines that the famous argument between sage Vasishta and sage Vishwamitra- 'Who is Brahmin?' (One: Brahmin knows Brahma, The other: the one who knows Brahma is Brahmin)- took place while both were chewing betel leaf (paans)! Vasant Sarwate (वसंत सरवटे) has drawn a beautiful illustration for it.
It reminded me of Mel Brooks' quote:
"Nietzsche whispers to you: ‘Without audacity there is no greatness.’ Freud whispers to you: ‘Why must there be greatness?’ That fight’s still going on. And you don’t understand either one, because they’re both whispering in German."
Frankly, other than Charvak-darshan (चार्वाक), there is little information in Vinda's book that is not there in Will Durant's 'The story of philosophy' (1926). However, Vinda's usage of abhang (अभंग) format to write on the subject of philosophy was at the edge of innovation.
Vinda had good sense of humour as is obvious from many of his poems. Vasant Sarwate too vouches for it.
I hope, some day, his 'Ashtadarshane' ushers in Marathi's Woody Allen.
In the moth of June 2015, I came across an excellent example (one of the best really) of how creatively philosophers and their philosophy can be presented.
There are four such frames on the website. The above one is the second frame. One of the picture is reproduced below:
"Camus has convinced several of the Germans that the game is fundamentally absurd. And there is no inherent difference between winning and losing. They are just lying on the pitch in despair."
Or see the one below:
"However, not much action since then, as the Germans seem to be mostly content to kick the ball back and forth endlessly."....and one of the dribblers is Kant!
Every picture is a gem and teaches as well as amuses a lot.
Thursday, August 20, 2015
काय खर्ज लागतो एकेक बेडकाचा...Mandookavani
"… आपल्या देवासला पावसात हजारो बेडकं ओरडतात मेंडकी-रोडवर, ओहोहोहो! काय खर्ज लागतो एकेक बेडकाचा- असं वाटतं, की कोणी दशग्रंथी ब्राह्मण वेदपठण करून राहिले आहेत बेटे ! काय ?"
(पु ल देशपांडे, 'तुझें आहें तुजपाशी', 1957)
[Kakaji:
"...in our Devas thousands of frogs croak in the rain on Mendaki road, oh..oh..oh! What deep (bass) sound each one creates- one feels, it's as if Brahmins with the command of the ten great books are chanting Vedas ! What?"
(P. L. Deshpande, "Tujhe Ahe Tujapashi"]
I have downloaded Frog Find, an Android Apps and I just love listening to various sounds of Mandookavani.
Sunday, August 16, 2015
Nothing...I Don't Mean Vagina!
the mayfly floating on the water.
On the face of the sun its countenance gazes,
then all of a sudden nothing is there!" (X 315)
courtesy: FB page of Dangerous Minds
Wednesday, August 12, 2015
Who Do Librarians Kiss?
To honour him, the day is observed as National Library Day in India.
Sunday, August 09, 2015
ढेकणासी बाज...How Bedbugs Bed
सदानंद रेगे:
"म्हटलं
आज गादीला जरा
ऊन खाऊ दे.
गच्चीवर टाकली न टाकली तो
पसाभर ढेकूण
जीव घेऊन
सैरावैरा ढुंगणाला पाय
लावून धूम पळत सुटलेले.
तरी तीनचार पायाखाली आलेच.
त्यांच्या कुळथीच्या रंगाचे
रक्ताळ धूमकेतू
जमिनीवर गोंदणासारखे
उतरत्या सूर्याला साक्षी
ठेवून मी स्वत:शीच पुटपुटलो,
देवा, त्यांच्या आत्म्यांना शांती दे
त्यातला चुकून एखादा असायचा फ्रान्झ काफ्का!"
William Cook: "Bedbugs were biting humans long before humans invented beds..."
Tukaram 1608-1649 (तुकाराम), quoted at the very top of this blog, sure knew this truth when he said: "ढेकणासी बाज गड, उतरचढ केवढी" (For a bedbug a bed is like a castle. so much climbing up and down!).
After reading this first time in Dilip Chitre's (दिलीप चित्रे) 'Punha Tukaram' (पुन्हा तुकाराम), 1990, I smiled and imagined how Tukaram must have observed a bug climbing a leg of a bed in his own house. Those couple of minutes gave birth to, for me, one of the most moving Marathi couplets.
Western literature too is full of them: "...from Horace to Henry Miller. They crop up in the Talmud, in Aristotle and Aristophanes..." (Cook)
Recently I came across Brooke Borel's book 'Infested: How the Bed Bug Infiltrated Our Bedrooms and Took Over the World', 2015 and its review by Marlene Zuk in The New York Times, April 17 2015.
We associate a bed with bedbugs and sex. So what about sex of bedbugs?
"...When bedbugs mate, the male stabs the female’s body with his penis and deposits his sperm inside, a process “more like a shanking than a romantic coupling.” It’s part of what enables the bugs to reproduce so effectively, and become — welcome or not — one of our most common urban companions." (Zuk)
"...After they’ve feasted on your blood, they like to engage in rough and tumble sex (not with you, fortunately)..." (Cook)
Tukaram did not know this. Had he known, I wonder what he would have composed!










