मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, November 25, 2010

असेच होते गांधीजीही, येशु क्रिस्त अन् कृष्ण कदाचित् कालिदास अन टैकोब्राही

Jill Lepore: The life of Potter is the story of a man fated, at death, to be buried in a potter’s field. To the American Plutarch, it was rubbish. There is no humility in monumental biography. But there is humility in nature, in time, and in history. The same sun that shines on the Bunker Hill monument, Melville pointed out, shines on Potter’s unmarked grave. Come winter, the same snow falls, dusting us all. (The New Yorker, September 27 2010)

One of B S Mardhekar's (बा. सी. मर्ढेकर) poems: 'Mee Ek Mungi, Ha Ek Mungi' [मी एक मुंगी, हा एक मुंगी), poem 16 from 'Anakhi Kahi Kavita' (आणखी कांहीं कविता), has these lines:

'ह्या नच मुंग्या : हींच माणसे :
असेच होते गांधीजीही,
येशु क्रिस्त अन् कृष्ण कदाचित्
कालिदास अन टैकोब्राही.'

(They are not ants : they are humans :
Gandhiji was like this too
Jesus Christ and Krishna perhaps
Kalidas and Tycho Brahe too)

I have already written about this poem here.

After reading DAN BILEFSKY's article in The New York Times on November 19 2010, looking at Brahe's remains, I realised how human Brahe was!

In India, majority of Hindus are cremated and hence have no graves, and even if they had, we wouldn't allow opening of them. There would be riots even at the mention of it.

But if there were to be graves for Krishna or Gandhi, their remains wouldn't look very different from that of Brahe.

Niels Linnerup of the University of Copenhagen examines the remains of Tycho Brahe in Prague,

Pool photo by Jacob Christensen Ravn/Aarhus University, via European Pressphoto Agency courtsey: The New York Times, Published: November 19, 2010
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