मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, February 10, 2018

लक्ष-दुर्लक्ष, झरा-लाईव्ह स्ट्रीमिंग, निसर्गात-खुराड्यात...Ward Sutton's The Luncheon on the Grass, 2016!



#TheLuncheonontheGrass2016

n plus one mag:
“For David Hume, increased conversation between men and women corresponded to “an increase of humanity, from the very habit of conversing together.” But Hume didn’t know about Gchat, which offers us so many opportunities for conversation that conversation becomes impossible. We are distracted from chatting by chatting itself.”


John Harris:
“ In the book, (Nicholas) Carr looks back on such human inventions as the map, the clock and the typewriter, and how much they influenced our essential modes of thought (among the people whose writing was changed by the latter were Friedrich Nietszche and TS Eliot). By the same token, he argues that the internet's "cacophony of stimuli" and "crazy quilt" of information have given rise to "cursory reading, hurried and distracted thinking, and superficial learning" – in contrast to the age of the book, when intelligent humans were encouraged to be contemplative and imaginative...”


Jonathan Franzen, ‘Freedom: A Novel ‘, 2010:

“...“This was what was keeping me awake at night,” Walter said. “This fragmentation. Because it’s the same problem everywhere. It’s like the internet, or cable TV—there’s never any center, there’s no communal agreement, there’s just a trillion little bits of distracting noise. We can never sit down and have any kind of sustained conversation, it’s all just cheap trash and shitty development. All the real things, the authentic things, the honest things are dying off. Intellectually and culturally, we just bounce around like random billiard balls, reacting to the latest random stimuli.”...”
 
Vasant Sarwate (वसंत सरवटे) has poked an occasional fun at some great art. An example could be found here: The Persistence of Memory. Vasant Sarwate style!

Here is a similar effort that made me laugh and introspect.


'The Luncheon on the Grass' , 1863

Artist: Édouard Manet
courtesy: Wikipedia 

"The painting features a nude woman casually lunching with two fully dressed men. Her body is starkly lit and she stares directly at the viewer. The two men, dressed as young dandies, seem to be engaged in conversation, ignoring the woman. In front of them, the woman's clothes, a basket of fruit, and a round loaf of bread are displayed, as in a still life. In the background a lightly clad woman bathes in a stream. Too large in comparison with the figures in the foreground, she seems to float above them. The roughly painted background lacks depth – giving the viewer the impression that the scene is not taking place outdoors, but in a studio..."


Artist: Ward Sutton, 2016


Now watch Sutton's master-parody: 

 The two men, dressed as young dandies, and the nude woman are all ignoring each other...In the background a lightly clad woman is NOT bathing in a stream but perhaps busy is live streaming  something....the scene is probably not taking place outdoors...and if it is, one of the persons is certainly trying to catch Pokemons...  
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