मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Wednesday, July 31, 2024

Doctor Fischer of Geneva, Or, the Bomb Party...How Life Imitated Art

 Since I read Graham Greene's 'Doctor Fischer of Geneva, Or, the Bomb Party', 1980,  sometime in 1980's, the book has stayed with me because I have found more and more people behaving like either Doctor Fischer or his toadies...especially my relatives....

"...But it was not for his money that I detested Doctor Fischer. I hated him for his pride, his contempt of all the world, and his cruelty. He loved no one, not even his daughter..."

"...Anna-Luise called them 'Toads', her English not being perfect. She meant, of course, toadies, but I soon adopted the title which she had given them. Among the Toads was an alcoholic film actor called Richard Deane, a Divisionnaire ~ a very high rank in the Swiss army, which only has a general in time of war ~ called Krueger, an international lawyer named Kips, a tax adviser, Monsieur Belmont, and an American woman with blue hair called Mrs Montgomery. The General, as some of the others called him, was retired, Mrs Montgomery was satisfactorily widowed, and they all had settled around Geneva for the same reason, either to escape taxes in their own countries or take advantage of favourable cantonal conditions. Doctor Fischer and the Divisionnaire were the only Swiss nationals in the group when I came to know them and Fischer was by a long way the richest. He ruled them all as a man might rule a donkey with a whip in one hand and a carrot in the other. They were very well lined themselves, but how they enjoyed the carrots. It was only for the carrots that they put up with his abominable parties at which they were always first humiliated ('Have you no sense of humour?' I can imagine him demanding at the early dinners) and then rewarded. In the end they learnt to laugh even before the joke was sprung. They felt themselves to be a select group ~ there were plenty of people around Geneva who envied them their friendship with the great Doctor Fischer..."


  Dr. Fischer of Geneva (TV Movie 1984)


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