मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, December 31, 2012

Barring Accidents, the Sun will Rise on January 1 2013


John Crowley:
 
"Meanwhile the real world then, no matter what, will be as racked with pain and insufficiency as any human world at any time. It just won’t be racked by the same old pains and insufficiencies; it will be strange. It is forever unknowably strange, its strangeness not the strangeness of fiction or of any art or any guess but absolute. That’s its nature. Of course holding the mirror up to nature is what Hamlet insisted all playing, or pretending, must do; but—as Lewis Carroll knew—the image in a mirror, however scary or amusing or enlightening, is always reversed."
 
HOWARD MANSFIELD:

"If clock time isn’t real, what is time, anyway? We don’t understand time, and we definitely don’t want to admit that our allotment is limited. We just want to get on with our day."


Homer Simpson:

“You never know when an old calendar might come in handy. Sure, it’s not 1985 now, but who knows what tomorrow will bring?”

John Gray:

"Philosophers have always tried to show that we are not like other animals, sniffing their way uncertainly through the world. Yet after all the work of Plato and Spinoza, Descartes and Bertrand Russell we have no more reason than other animals do for believing that the sun will rise tomorrow."

According to the Hindu mythology "we are in the KALI YUGA, or Iron Age a period of decline. It was preceded by the ages of gold, silver, and bronze. After the end of the KALIYUGA and a short hiatus, a new age will begin: the age of truth (KRITA YUGA), when all the wickedness, strife, and dissension of this era will be replaced by righteousness. It is understood that this age will be ushered in by Kalki, the future
incarnation or AVATAR of VISHNU, riding on a magnificent white horse."

('Encyclopedia of Hinduism' by Constance A. Jones and James D. Ryan, 2007)

I have often wondered will this new age accompanied by Kalki riding in on a magnificent white horse will happen on  January 1 of a year or on a Gudi Padwa day. Or will it happen on a random day?

I know one thing: with each passing year, I am unlikely to witness that grand event!

Or is that I am already living in KRITA YUGA but being too much of a pessimist to realise it? Or is this a 'short hiatus'?
 

 


Artist: Kemp Starrett, The New Yorker, January 13 1934
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