मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Tuesday, July 20, 2010

What did a Woman in the Kitchen have in common with its Floor?

Anton Chekhov: "My holy of holies is the human body..."

Indian religious code: "If a woman was menstruating, she was prohibited from Suttee, the act of a Hindu widow willingly cremating herself on the funeral pyre of her dead husband."

ROBIN MARANTZ HENIG: "The worst thing you could do when my mother was in one of her moods was to point out that she got cranky when she had her period. “I am not just a bunch of chemicals!” she’d yell. My brother, who even at 12 believed in the sanctity of data, decided to keep a written record of when Mom was irritable and see whether it correlated with what he could deduce about her menstrual cycle. It was hard to contradict the circumstantial evidence: when our mother had her period, she was harder to live with..."


Annie Hall,1977: "Alvy: Hey, you are in a bad mood. You must be getting your period.
Annie: I'm not getting my period. Jesus, every time anything out of the ordinary happens, you think that I'm getting my period."

Not too long ago, menstruation was NOT a taboo subject in Maharashtra.

For instance, historians like T S Shejwalkar (त्र्यं शं शेजवलकर), D G Godse (द ग गोडसे), have quoted a number of instances in their work when women’s monthly period was mentioned without any hesitation, even in official communication.

(After reading "no Suttee if menstruating" quoted earlier, I asked my wife if some widows could have faked it....I would. She said it would have been very difficult to do so in a joint family setup of medieval India).

But it all changed since the Victorian era began in England.

I wonder if a book like the one mentioned below will ever get written in Marathi. I am sure when it does, it will be one of the most interesting one.

Elissa Stein and Susan Kim have written a book "Flow: The Cultural Story of Menstruation".

Eryn Loeb reviews it:

"...apparently, plenty of girls still think they pee and bleed out of the same orifice, and menstruation is still understood with a retro blend of embarrassment, fear and superstition...

...Kotex pads burst onto the market the same year women got the right to vote, which was also the same year that saw the first Miss America pageant (that would be 1920)...

...And we learn that as late as 1985, a pre-Friends, pre-Cougar Town, pre-Arquette, Courteney Cox was the first person to use the word "period" in a TV commercial...

Flow revels in the awesome mysteriousness of women's bodies even as its authors try to counter it. It's hard to maintain both positions, though there's something appealing about being normal and mystifying at the same time. That's a central tension of how people have viewed women -- and how women have viewed themselves -- throughout history. Not surprisingly, the ambivalence about the role and significance of menstruation is equally entrenched.

Still, why talk about it? Stein and Kim are tuned in enough to pose that question directly, and their book stands as a pretty clear answer. Certainly, we don't have to talk about everything, but Flow shows that menstruation -- and women's many experiences of it -- are fodder for a host of worthwhile and often important conversations."

Q: What was common to a woman working in a kitchen and the kitchen floor?
A: Both were disinfected with Lysol, a household cleaner!

(For more, check out 'Related Media' by visiting this site.)


2 comments:

Anonymous said...

I have been reading your blog over a year now. Very impressive writing. Keep it up !

Aniruddha G. Kulkarni said...

Thanks anon.